Stunning example from the well-regarded Orivit workshop of Cologne, Germany, circa 1904. The pewter framework, with its reticulated, undulating vines, has robust Jugendstil handles and rests upon its contrasting stained wood bottom. Pictured in the book entitled "Orivit," page 131. 12 1/2" W., 19 1/4" L.
A WMF Art Nouveau sweetmeat stand designed by the influential sculptor/designer Albert Mayer for the well-known German firm, WMF (Wurttembergische Metallwarenfabrik). Mayer was appointed head of the Art Studio in 1894 and specialized in designs which depicted beautiful maidens and nymphs with flowing hair, etc. Illustrated in The Art Nouveau Domestic Metalwork Catalog 1906. Bears WMF mark underneath. Germany circa 1900. 9" H., 14" L., 5 1/2" W.
Elegant, large round tray made by the highly regarded Mappin & Webb workshop of London and Sheffield. The tray, with its raised, wave borders, is supported by four Art Deco, curved feet. Registry mark beneath for 1927. 15" W.
High Art Deco design tray. The large round form has four geometric stepped fan elements upon its raised borders. Nice large size is ideal for serving or display. Made by James Dixon & Sons in Sheffield circa 1930. 15 1/2" W.
Round English silvered tray has undulating borders. Grooved edging detail in relief completes the design. Made by John Collyer & Co. of Birmingham circa 1930's. 13 1/2" W.
Round cocktail tray with a rolled edge is supported by ball feet. Flanking Art Deco handles have a rounded form. Made by the Charles S. Green workshop of Birmingham circa 1925. 10 1/2" round, 12 1/2" to handles
English Edwardian-era, round oak tray with a pierced gallery. The tray is ideal for decanters or cocktail accoutrements. Supported by detailed, cast feet with a florette, along with a chased, hexagonal, central button upon the top. England circa 1910. 12 1/4" W., 2 3/4" H.
Octagonal-form tray is an ideal cocktail size for serving or display. Supported by four geometric Art Deco feet. Notched edging detail completes the design. Made by Walker & Hall of Sheffield circa 1930's. 12 1/4" W., 13" diagonal.
Finely cast gilded bronze tray with detailed, reticulated foliates in high relief. The stunning Art Nouveau form rests upon four cast feet and is signed M. Migneaux; France circa 1900. 7 1/4" W., 8 7/8" L.
Stunning, lush blue enamel and sterling silver English Art Deco tray. A waving, engine-turned sunburst pattern is seen beneath the enamel work. Hallmarked for Birmingham 1936. 3 5/8" W., 8 3/8" L.
Round tray, or salver, with geometric, stepped Art Deco elements upon its raised rim. Four angled, geometric feet support the form, which is ideal cocktail size. England circa 1930. 1 1/2" H., 12 1/2" W.
Round pottery tray with robust Art Nouveau florals glazed in cobalt blue with two tones of gray upon a white ground. A pierced gallery enhances the surround. Germany circa 1905. 12" W., 1 1/8" H.
Lovely Art Deco footed tray, or salver, in difficult-to-find size. Rectangular form with rounded central corners. Outer corners are geometrically cut with an Art Deco geometric applique upon the top. Made by Francis Howard of Sheffield circa 1925. 5 3/8" W., 7" L.
Sterling silver tray has a golf club perched upon its top. Bottom of the tray is glass. Hallmarks for Birmingham 1905. 1 1/8" H., 2 7/8" W.
Lovely high French Art Deco tray. Rectangular form with gently curing sides. Beautifully detailed cast geometric open handles flank the ends. A relief notch pattern enhances the raised borders. Impeccable quality. Made in France by Orfevrerie Perrin, circa 1925. 12 1/4" W., 21 3/4" L.
Lovely oval, hammered brass tray made the the well-known WMF (Wurttembergisch Metallwarenfabrik) workshop in Germany circa 1900. Reticulated rivet-and-strapwork Art Nouveau handles complete the design. 9 1/4" W., 16 1/2" L.
Lovely Art Deco tray is perfect for cocktails or serving. The oval form has concentrically stepped rising borders. Ends are flanked by complementing macassar wood handles. Made in France circa 1925. 14 1/4" W., 21 5/8" L.
Lovely British cocktail tray with open sweeping Art Nouveau handles. The round form has applique work beneath the extended handles and is supported by three bun feet. Made by John Collyer in Birmingham circa 1905. 14" W.