Lovely and elegant Art Nouveau biscuit barrel made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. The green- shaded- to-clear crystal is hand-cut with robust Art Nouveau flowers and fronds. The cover has an applied floral finial. 8" H., 5 1/2" W.
Decanter extensively overlaid with abundant silver flowers upon a florette-and-lattice surround. The unusual and elegant bulbous form with tapering base has a curving handle completely covered in silver. An undulating neck with pouring lip holds a tall, tear- drop-form stopper with additional overlay flowers. Silver has detailed, hand-chased work. Marks for the Alvin workshop of Rhode Island, circa 1900. 10 1/4" H.
Reticulated design typifies the fluidity of Art Nouveau with rambling, interlacing florals and vines. Top circumference is highlighted with open flower heads. Four footed florettes support the elegant bottle stand. Made by WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1907. Firm's makrs beneath.4 3/4" W., 4 1/8" H.
Stunning design! A robust wide band of foliates in high relief encircles the wine, or Champagne cooler. Curving handles with scroll elements further enhance the elegant form. Made by the Orivit workshop, well-known for fine Art Nouveau design in Cologne, Germany circa 1910. 9 1/4" H., 11 1/2" W. to handles
Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.
Large Art Nouveau figural mirror. A lovely Alphonse Mucha-inspired maiden forms the mirror's stand. She gazes upward into her own boudoir mirror as her sweeping gown forms a tray beneath. The stunning high Art Nouveau design retains its original double-bevel curving mirror. A detailed cast bird in flight completes the polished pewter form. Germany circa 1900. 14"W., 18 1/2" H.
Lovely Art Nouveau Doulton Lambeth stoneware vase. The bold, bulbous, baluster form with its upward-turned opening, is glazed in cobalt blue. Five large heart-form leaves with detailed relief beading are glazed in celadon. Additional leaves as well as pendant Art Nouveau foliates are glazed in light blue, gold and dark green. Impressed marks as well as workshop marks for Miss B. Harman, circa 1904. 11 1/8" H.
Remarkable pair of Art Nouveau candelabra. Each maiden emerges from a swirling base formed by the flowing drape of her garment. The detailed, fluidly cast figures lean upon naturalistically curving, reticulated vines which uphold flower-form candle cups. The undulating, open flower heads form bobeches. Impeccable Art Nouveau in the manner of Claude Bonnefond. Impressed workshop marks beneath. France circa 1900. 12 3/4" H., 9 1/2" W.
Tall L.C. Tiffany golden Favrile glass chalice-form vase. Domed base with its inverted under-rim supports a tall stem and knop. The vase's wide, pinched top completes the stunning example. Golden iridescent glass has shimmering silvery blue and violet highlights. Signed "L.C.T. 9777." 11 3/4" H., 5 3/4" W.
Richly opalescent aqua floriform-top pastel goblet with contrasting white veining. A tall, ribbed stem is supported by a ribbed, undulating base. Signed L.C.T. Favrile; circa 1905. 8 5/8" H., 3 5/8" W.
Art Nouveau design at its finest. A romanticized reclining maiden in the manner of Alphonse Mucha is depicted in silhouette upon the large bevel mirror as she gazes forward. Elaborately reticulated, interlacing whiplash vines and leaves form the mirror's top, with additional curving elements in relief. A drawing of the design is illustrated in the Antique Collectors Club reprint of the firm's well-known 1906 catalog, page 295. WMF (Wurttembergische Metallwarenfabrik) marks impressed beneath. 12 1/4" W., 20 1/2" H.
Lovely Art Nouveau silver letter holder. The undulating floral form rises above four footed elements. Hallmarks for 800 Fine Silver, Austria circa 1900. 1" D., 5 3/8" W., 3 1/8" H.
Doulton Lambeth bulbous, long- neck-form vase glazed in mottled blue tones. A series of Art Nouveau rosettes surrounded by glazed green heart-shape leaves are in relief. The florals sprout from a raised beaded stem. Impressed artist mark for Senior Assistant E. Violet Hayward. Impressed Doulton marks as well, along with number, circa 1904. 6 3/4" H.
Gilded bronze letter opener with detailed Art Nouveau florals in relief upon both sides of the opener. Fine functional size and form for use. Artist signed, A. Cladoux. France circa 1900. 5 5/8" L.
Fine silver overlay upon a golden, iridescent Loetz glass vase with violet highlights. Hand-chased Art Nouveau florals and interlacing vines adorn the form with its pinched neck and flared opening. Marks for the La Pierre silver workshop in New York and Newark, N.J. circa 1900. 4 5/8" H.
Chased, large silver overlay flower heads adorn the bottom of the bulbous-form emerald green glass vase. Art Nouveau silver leaves and vines ramble upward upon the tall, long-neck form. An engraved, oval cartouche completes the fine design. Stamped marks for the Alvin silver workshop of Rhode Island, circa 1900. 12" H.
Elegant Art Nouveau fine silver bottle stand. Difficult-to-find size accommodates a magnum bottle. Grape leaves along with pendant grape clusters are in relief upon the undulating sides. Hallmarks for the Wilhelm Binder workshop of Schwabisch Gmund, Germany, circa 1900. Examples of the Binder workshop are represented in the Brohan Museum in Berlin. 1" H., 5 1/2" W.
A wonderful desk or counter-top accessory. The WMF (Wurttembergische Metallwarenfabrik) reticulated Jungendstil table bell emits a splendid ring...Ring upon a twist of the finial. Illustrated on page 31 of this workshop's well-known 1906 catalog. Firm's marks beneath. Made in Germany circa 1905. 2 3/4" H., 4 1/4" W.