Catalog (63)

Kralik Glatt Silberiris vase with fine silver overlay. Cased golden iridescent pinched vase with a rose orchid interior. Art Nouveau chased silver flowers and vines embellish the form. Wilhelm Kralik Sohne was founded by Josef Meyr in Austro-Bohemia circa 1815. Silver overlay bears marks from La Pierre of New York, N.Y., and Newark, N.J., circa 1905. Dimensions: 4 1/4" H.

Fine Art Nouveau silver jardiniere with Art Nouveau maidens representing the arts. One strokes a lyre while the other holds a painter's brush and palette. Reticulated flowers and interlacing vines complete the design along with naturalistic openwork handles. A cut-crystal liner rests within. Stamped marks for the Martin Mayer workshop of Mainz, Germany along with 835 Fine Silver marks, circa 1900. Artists commissioned by Mayer include Peter Behrens and Hans Christiansen. 3 7/8" H., 5" W., 11" L.

Lovely Art Nouveau Doulton Lambeth stoneware vase. The bold, bulbous, baluster form with its upward-turned opening, is glazed in cobalt blue. Five large heart-form leaves with detailed relief beading are glazed in celadon. Additional leaves as well as pendant Art Nouveau foliates are glazed in light blue, gold and dark green. Impressed marks as well as workshop marks for Miss B. Harman, circa 1904. 11 1/8" H.

Lovely, undulating Art Nouveau brass photo frame. The fluid design has interlacing strapwork as well as curved elements. An unusual example, European circa 1900. 7 1/4" W., 9 1/2" H; 4" W., 6 1/2" H. photo

Stunning example from the well-regarded Orivit workshop of Cologne, Germany circa 1904. The pewter framework with its fluid, undulating form, has swirling foliate and berry patterns in relief. The large tray is flanked by curving, open Art Nouveau handles with firm's marks stamped beneath. Supported by eight feet, one replaced as seen in photo. Orivit, founded by Wilhelm Ferdinand Hubert Schnitz in 1894, commissioned well-known designers such as Hermann Gradl and Walter Scherf. In 1904 the firm was acquired by WMF {Wurttembergische Metalwaren Fabrik). Pictured in the book title, "ORIVIT: Zinn des Jugendstils aux Koln." The Brohan Museum in Berlin has a prominent collection of Orivit inclusive of several trays. Dimensions: 13 1/2" W., 22 1/2" L.

Chased, large silver overlay flower heads adorn the bottom of the bulbous-form emerald green glass vase. Art Nouveau silver leaves and vines ramble upward upon the tall, long-neck form. An engraved, oval cartouche completes the fine design. Stamped marks for the Alvin silver workshop of Rhode Island, circa 1900. 12" H.

Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.

Art Nouveau brass box with bronze patina has a central maiden's face in high relief upon the hinged top. Interlacing foliates in relief complete the cover design. Heart-shape foliates enhance the sides. Wooden lining. Made in France circa 1905. 2 3/4" H., 6 1/4" W., 9 3/4" L.

Fine antique crystal box with a minutely detailed, cast bronze eagle upon its hinged cover. The eagle is complemented by bronze Art Nouveau floral elements along with foliate-trim mountings. The marquise-form crystal box is cut with vertical fluting and a starburst upon its base. France circa 1900. 2 3/8" H., 4 3/8" W., 8 5/8" L.

Beautifully stylized Doulton Lambeth stoneware jardiniere. Interlacing robust foliates as well as whiplash vines are tube lined. Glazed in royal and light blues along with celadon and sepia brown. Unusual mottled, sponged effect upon surface. Impressed Doulton Lambeth marks for period circa 1902 along with decorator marks for Jane Rumbol. 7 3/4" H., 8 1/2" W.

Sweeping handles flank the bold Art Nouveau wine or Champagne cooler. Interlacing stylized Jugendstil foliates in relief exuberantly adorn front and back. Made by the Gerhardi workshop in Germany circa 1900. 9 3/8" H., 12" W. to handle

The original lithograph by Georges Meunier, 1898, advertises the famous 19th century Parisian dance hall, Bullier. Carved frame with UV-Plexi, 19 1/2" W., 23 1/4" H.

Les Maitres de l'Affiche

In the 1890's streets in major cities were enriched with large and colorful advertising posters created by leading artists of the era. The prominent artist, Jules Cheret had his own print workshop in Paris which offered works from the Imprimierie Chaix print workshop. As artistic director of Chaix, Cheret had the vision to create Les Maitres de l'Affiche (Masters of the Poster). The series of 11 3/8" x 15 5/8" posters designed by the most prestigious poster artists of the day were chromolithographic reductions of the same large format examples be these artists. Prints were sold in packages of four and offered from December 1895 to 1900. Ninety seven artists were represented in the series which on occasion included a bonus plate. 256 total plates or images were produced in the five years Les Maitres de l'Affiche was offered. Each print has an embossed seal confirming it's authenticity.

The original lithograph by Alice R. Glenny advertises the Women's Edition of the 19th century publication, Buffalo Courier. Glenny, an American painting and graphic artist, became president of the Buffalo society of artists. She studied with William Merritt Chase. Carved frame with UV-Plexi, 19 1/2" W., 23 1/4" H.

Les Maitres de L'Affiche

In the 1890's streets in major cities were enriched with large and colorful advertising posters created by leading artists of the era. The prominent artist, Jules Cheret had his own print workshop in Paris which offered works from the Imprimierie Chaix print workshop. As artistic director of Chaix, Cheret had the vision to create Les Maitres de l'Affiche (Masters of the Poster). The series of 11 3/8" x 15 5/8" posters designed by the most prestigious poster artists of the day were chromolithographic reductions of the same large format examples be these artists. Prints were sold in packages of four and offered from December 1895 to 1900. Ninety seven artists were represented in the series which on occasion included a bonus plate. 256 total plates or images were produced in the five years Les Maitres de l'Affiche was offered. Each print has an embossed seal confirming it's authenticity.

Open flower heads adorn the Art Nouveau frame with its robust scrolling elements. The elegant wave-form frame is completed by a vacant asymmetrical cartouche upon its top. Hallmarks: Henry Matthews, Birmingham 1898.  5 3/4" W., 8 1/4" H.; 3 3/4" W., 5 1/2" H. photo  

Extraordinary Art Nouveau large double photo frame made by the famous WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. A central, romanticized maiden upholds sweeping flowers upon vines on the rectangular form. Jugendstil designs in relief further enhance the borders of the frame that accommodates two photos. Illustrated on page 305 in the well-known WMF 1906 catalogue published by the Antiques Collectors Club. Signed beneath with workshop marks. 12 1/4" W., 10 1/2" H.; 3 3/8" H., 3 1/2" W. each photo

A WMF Art Nouveau sweetmeat stand designed by the influential sculptor/designer Albert Mayer for the well-known German firm, WMF (Wurttembergische Metallwarenfabrik). Mayer was appointed head of the Art Studio in 1894 and specialized in designs which depicted beautiful maidens and nymphs with flowing hair, etc. Illustrated in The Art Nouveau Domestic Metalwork Catalog 1906. Bears WMF mark underneath. Germany circa 1900. 9" H., 14" L., 5 1/2" W.

Lovely Art Nouveau letters or stationery box has its original fitted wooden interior. Extensive Art Nouveau whiplash, foliates and scenic designs are in relief on the silvered, hinged-top form. Made in England circa 1900. 3 1/2" D., 9" L. 5 3/4" H.

A stunning example of fine Art Nouveau. The pewter-mounted glass vase is from the Moritz Hacker (Budapest 1849-1932) workshop founded in Vienna, Austria in 1882. Three detailed, cast irises climb the sides of the Loetz lilac glass vase decorated with undulating waves in aubergine. The well-regarded Hacker, a jeweler to the royal court, often collaborated with Loetz. Signed with Hacker workshop marks upon mount; Vienna circa 1900-05. 8 1/4" H.

Elaborate silver oval frame. A central mask of a woman with headdress adorns the top. Foliates in relief further adorn the borders. Stamped with French marks, circa 1900. 5 1/4" W., 8 5/8" H.; 4" W., 5 5/8" H. photo

Finely cast gilded bronze tray with detailed, reticulated foliates in high relief. The stunning Art Nouveau form rests upon four cast feet and is signed M. Migneaux; France circa 1900. 7 1/4" W., 8 7/8" L.

A most unusual-to-find matching pair of silver overlay vases. Each is in emerald green glass with extensive overlay work, all with hand-chased detail. Interlacing Art Nouveau designs climb the baluster form. Four robust flowers emerge from their stems upon the upper portion of the vases. American circa 1900. 10" H. each

Hand-chased, silver overlay decanter with a tall, complementing, pinched stopper. The elegant form, with its elongated neck, is extensively overlaid with large, robust Art Nouveau flowers and interlacing vines. An elaborate cartouche with monogram is marked 1881-1906. Made by the Alvin silver workshop of Rhode Island circa 1900. 12 1/8" H.

Lovely Art Nouveau round box with robust florals and whiplash vines around the circumference. An Art Nouveau maiden with flowing hair adorns the cover of the elegant design. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. Illustrated in the firm's well-known 1906 catalogue, page 290. 2 1/4" H., 3 1/4" W.

Stunning high Art Nouveau design! A reticulated whiplash form support in each corner upholds the jewel box. Interlacing, sweeping vines and Art Nouveau florals are in relief upon the top and all sides. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany, circa 1900. Illustrated in the firm's well-known 1906 catalogue. Marks beneath. 2 3/4" H., 4 1/2" W., 6 3/4" L.

Patinated repousse brass Art Nouveau photo frame depicting a pair of facing winged phoenixes. Undulating serpent-like forms complete the extraordinary design of the large, brass-wrapped angular frame. In the style of Alfred Daguet, France circa 1900. Wooden easel back. 9" W., 11 12" H; 3 1/2" W., 5 1/4" H. photo

Colorful Art Nouveau pottery butter box. The undulating form, with a bell flower and vines in relief, has an applied naturalistic frond handle. Glazed in minty greens along with burgundy and yellow. Interior is a rose tone. Impressed Austria beneath, circa 1900. 3 1/4" H., 6" W., 8 3/4" L.

High Art Nouveau bronze letter opener. Beautifully cast, interlacing vines and flowers adorn the elegant opener. An Art Nouveau maiden with cascading hair is upon the top. France circa 1900. 8 3/4" L.

Lovely sterling silver Art Nouveau photo frame. An Alphonse- Mucha-inspired maiden is in relief upon the undulating form. Rambling flowers and vines, along with a butterfly, adorn the romanticized design. Hallmarks: R.U. & Co., Birmingham 1907. 5 3/4" W., 6 5/8" H., 3 3/4" diameter photo.

Lovely box with pottery inset upon its hinged top. Interlacing high Art Nouveau design glazed in deep blue and gold upon a white ground. Box made of nickel; Germany circa 1905. 2 7/8" H., 4 1/2" W.

Most unusual example of a fine Art Nouveau silver card case. Rambling vines along with daffodils in high relief are upon the cover of the case. The case, with its spring mechanism, opens to reveal a beautifully fitted interior of moire silk. Each side has a gusset pocket to hold a card. The form accommodates modern- day-size business cards. Impressed marks for 800 fine silver along with maker stamp: Germany circa 1900. 2 5/8" W., 4" L.

WMF (Wurttembergische Metallwarenfabrik) Art Nouveau basket with florals and berries in relief upon its rising sides. A figural winged maiden fashioned as the handle. Designed by Albert Mayer, circa 1907. Firm's marks beneath. 6 3/4" W., 3 1/2" H.

A stunning pewter mount with its original gilding adorns the green glass wine decanter. Reticulated berries, foliates and vines are complemented by a hinged top with berries in relief. Made by the Walter Scherf workshop founded in Nuremberg in 1899 and ceased operating in 1914. A fine example from this workshop, who commissioned prominent designers including Friedrich Adler, Peter Behrens and Joseph Maria Olbrich. The range was signed Isis or Osiris as is this beneath. Nuremberg circa 1900-05. 11 3/8" H.

Doulton Lambeth stoneware vases with a mottled blue-on-celadon glaze. Each is decorated in relief with three sections of Art Nouveau florals in deep golden and blues tones. Impressed marks beneath along with artist marks for Maude Bowden and Annie Partridge as well as numerals circa 1906. 7" H.

Lovely British cocktail tray with open sweeping Art Nouveau handles. The round form has applique work beneath the extended handles and is supported by three bun feet. Made by John Collyer in Birmingham circa 1905. 14" W.

Lovely and elegant Art Nouveau biscuit barrel made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. The green- shaded- to-clear crystal is hand-cut with robust Art Nouveau flowers and fronds. The cover has an applied floral finial. Fleabite to one side of glass. 8" H., 5 1/2" W.

Decanter extensively overlaid with abundant silver flowers upon a florette-and-lattice surround. The unusual and elegant bulbous form with tapering base has a curving handle completely covered in silver. An undulating neck with pouring lip holds a tall, tear- drop-form stopper with additional overlay flowers. Silver has detailed, hand-chased work. Marks for the Alvin workshop of Rhode Island, circa 1900. 10 1/4" H.