Lovely sterling silver Art Nouveau photo frame. The scenic dome top has a reclining maiden gazing into her upheld hand mirror. Fluidly curving sides are adorned with Art Nouveau foliates. Wooden easel back. Hallmarks: A. Bromet, Birmingham 1906. 6 3/8" W., 8 3/4" H.; 3 1/2" W., 5 1/8" H. photo
Stunning Art Nouveau pendant from the Charles Horner workshop. A stylized, elongated foliate is richly enameled in blues, aqua and green tones. An additional pendant drop in royal blue enamel completes the design. Hallmarks: Charles Horner, Chester 1909. 1 7/8" L.
Stunning example from the well-regarded Orivit workshop of Cologne, Germany, circa 1904. The pewter framework, with its reticulated, undulating vines, has robust Jugendstil handles and rests upon its contrasting stained wood bottom. Pictured in the book entitled "Orivit," page 131. 12 1/2" W., 19 1/4" L.
Extraordinary Art Nouveau large double photo frame made by the famous WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. A central, romanticized maiden upholds sweeping flowers upon vines on the rectangular form. Jugendstil designs in relief further enhance the borders of the frame that accommodates two photos. Illustrated on page 305 in the well-known WMF 1906 catalogue published by the Antiques Collectors Club. Signed beneath with workshop marks. 12 1/4" W., 10 1/2" H.; 3 3/8" H., 3 1/2" W. each photo
A WMF Art Nouveau sweetmeat stand designed by the influential sculptor/designer Albert Mayer for the well-known German firm, WMF (Wurttembergische Metallwarenfabrik). Mayer was appointed head of the Art Studio in 1894 and specialized in designs which depicted beautiful maidens and nymphs with flowing hair, etc. Illustrated in The Art Nouveau Domestic Metalwork Catalog 1906. Bears WMF mark underneath. Germany circa 1900. 9" H., 14" L., 5 1/2" W.
Elegant Art Nouveau enameled pendant from the Charles Horner workshop. Curving openwork sterling silver design has four cascading florettes. Central enamel work is in rich royal blues to iridescent aqua and greens. A complementing triangular enamel suspension drops beneath the foliates. Hallmarks: Charles Horner, Chester 1909. 1 5/8" L.
Lovely tray made by the well-regarded Argentor workshop of Vienna circa 1900. The silvered high Art Nouveau borders are reticulated with rambling florals and vines. The footed, rounded form has a decorated, etched glass surface to complete the design. Signed beneath. Argentor was located in Wimbergerstrasse and was founded by Ernst Russ and Adolf Wilhelm Hetzel.
Lovely Art Nouveau letters or stationery box has its original fitted wooden interior. Extensive Art Nouveau whiplash, foliates and scenic designs are in relief on the silvered, hinged-top form. Made in England circa 1900. 3 1/2" D., 9" L. 5 3/4" H.
Extraordinary Art Nouveau design. A scarce example of a bat-form pendant from the famous Charles Horner workshop in sterling and enamel. A detailed pattern in the silver wings and body is seen beneath the enamel work. Cobalt blue, along with lustrous turquoise and aqua greens, define the design. Further enamel is found upon a rising triangular form above the pendant as well as on a complementing suspension. A similar example is pictured in "Charles Horner of Halifax," page 94. Hallmarks: Charles Horner, Chester 1909. 2 1/2" L. with suspended enamels.
Fine antique crystal box with a minutely detailed, cast bronze eagle upon its hinged cover. The eagle is complemented by bronze Art Nouveau floral elements along with foliate-trim mountings. The marquise-form crystal box is cut with vertical fluting and a starburst upon its base. France circa 1900. 2 3/8" H., 4 3/8" W., 8 5/8" L.
A stunning example of fine Art Nouveau. The pewter-mounted glass vase is from the Moritz Hacker (Budapest 1849-1932) workshop founded in Vienna, Austria in 1882. Three detailed, cast irises climb the sides of the Loetz lilac glass vase decorated with undulating waves in aubergine. The well-regarded Hacker, a jeweler to the royal court, often collaborated with Loetz. Signed with Hacker workshop marks upon mount; Vienna circa 1900-05. 8 1/4" H.
Elaborate silver oval frame. A central mask of a woman with headdress adorns the top. Foliates in relief further adorn the borders. Stamped with French marks, circa 1900. 5 1/4" W., 8 5/8" H.; 4" W., 5 5/8" H. photo
Irises, along with swirling foliates, are in relief upon the box cover. Sides of the charming pill or trinket box have complementing Art Nouveau florals, all with chased detail. Gilded within. Hallmarks: Charles Dumenil, London, 1902. 1 5/8" W., 1 1/8" H.
Finely cast gilded bronze tray with detailed, reticulated foliates in high relief. The stunning Art Nouveau form rests upon four cast feet and is signed M. Migneaux; France circa 1900. 7 1/4" W., 8 7/8" L.
A beautifully cast Art Nouveau maiden with flowing hair in the style of Alphonse Mucha forms the handle of the letter opener. The lovely silvered pewter sculptural opener was made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. Illustrated in the firm's 1906 catalog, reprinted by the Antiques Collectors Club, page 270. 8 1/8" L.
Elaborately pierced, hand-chased florals reveal the cobalt crystal liner of the sterling silver mustard pot. The hinged, slotted cover is all silver. Stamped sterling along with maker mark; American circa 1900. 2 3/4" H. Antique English spoon included. 2 3/4" H.
Extraordinary Jugendstil large wine jug made by the Carl Deffner workshop of Esslingen, Germany, circa 1905. A multi-segmented monkey guards the domed top, while its long tail forms a curved, open handle. The silvered tankard is enhanced with Jugendstil whiplash designs in relief. The monkey, as well as the spout and round foot, are all gilded. Firm's marks beneath. 5 7/8" W., 15 1/2" H.
A most unusual-to-find matching pair of silver overlay vases. Each is in emerald green glass with extensive overlay work, all with hand-chased detail. Interlacing Art Nouveau designs climb the baluster form. Four robust flowers emerge from their stems upon the upper portion of the vases. American circa 1900. 10" H. each
Bold emerald green glass silver overlay vase. The large baluster form is abundantly covered with flowers along with rambling, interlacing vines. All of the Art Nouveau silver overlay work is extensively hand-chased. Stamped marks for the Alvin silver workshop of Rhode Island, circa 1900. 11 7/8" H.
Hand-chased, silver overlay decanter with a tall, complementing, pinched stopper. The elegant form, with its elongated neck, is extensively overlaid with large, robust Art Nouveau flowers and interlacing vines. An elaborate cartouche with monogram is marked 1881-1906. Made by the Alvin silver workshop of Rhode Island circa 1900. 12 1/8" H.
Silver overlay water pitcher is an ideal size for cocktail bar function. The hand-chased silver overlay is an Art Nouveau design with large flowers along with vines and a vacant shield. Made by the Alvin silver workshop of Rhode Island, circa 1900. 6" H., 6" W.
Lovely Art Nouveau round box with robust florals and whiplash vines around the circumference. An Art Nouveau maiden with flowing hair adorns the cover of the elegant design. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. Illustrated in the firm's well-known 1906 catalogue, page 290. 2 1/4" H., 3 1/4" W.
Stunning high Art Nouveau design! A reticulated whiplash form support in each corner upholds the jewel box. Interlacing, sweeping vines and Art Nouveau florals are in relief upon the top and all sides. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany, circa 1900. Illustrated in the firm's well-known 1906 catalogue. Marks beneath. 2 3/4" H., 4 1/2" W., 6 3/4" L.
Patinated repousse brass Art Nouveau photo frame depicting a pair of facing winged phoenixes. Undulating serpent-like forms complete the extraordinary design of the large, brass-wrapped angular frame. In the style of Alfred Daguet, France circa 1900. Wooden easel back. 9" W., 11 12" H; 3 1/2" W., 5 1/4" H. photo
Extensively detailed, fine silver-overlay work covers the surface of this deep-cranberry glass vase. The bulbous bottom rises to a trumpet form. The chased silver displays abundant leaves, berries and vines. Originally presented at Quantuck Yacht Club, August 4, 1906. 7" H.
Lovely silver jigger with a repousse design of interlacing florals. The detailed Art Nouveau jigger was made by the well-known Wilhelm Binder workshop of Schwabisch Gmund, Germany, circa 1900. Gilded within. Firm's marks beneath, along with 800 Fine Silver mark. 2 3/8" H.
Colorful Art Nouveau pottery butter box. The undulating form, with a bell flower and vines in relief, has an applied naturalistic frond handle. Glazed in minty greens along with burgundy and yellow. Interior is a rose tone. Impressed Austria beneath, circa 1900. 3 1/4" H., 6" W., 8 3/4" L.
High Art Nouveau bronze letter opener. Beautifully cast, interlacing vines and flowers adorn the elegant opener. An Art Nouveau maiden with cascading hair is upon the top. France circa 1900. 8 3/4" L.
Bold and beautiful Art Nouveau wine or beer jug made by the well-known Orivit workshop in Cologne, Germany circa 1904. The tall pewter jug has a finely detailed eagle upon its front. The beak-form front of its hinged cover opens to offer a pouring lip. The wide base has undulating peacock-feather forms in relief. Photo of an example is pictured in "Orivit, Zinn des Jugendstils aus Koln," an early Orivit catalogue, page 100. 13 1/2" H.
Stunning Art Nouveau silver beaker is finely engraved with rambling flowers and vines. Two butterflies among the foliates complete the elegant form. Hallmarks include Minerva head for the first French standard of 950 Fine Silver; maker Claude Doutre Rousse, Paris circa 1895. 3 1/8" H., 2 5/8" W.
Stunning bold Doulton Lambeth stoneware vase decorated with pink dogwood flowers within three sections. Rambling Art Nouveau leaves glazed in greens surround the florals. All are against a mottled celadon ground. The applied foot, as well as the top rim, have a mocha glaze with blue highlights inside the neck. Impressed marks beneath for the highly regarded artist, Eliza Simmance, known for winning awards at international exhibitions. Incised assistant decorator marks along with date letter "G" for 1906. 12" H.
Lovely sterling silver Art Nouveau photo frame. An Alphonse- Mucha-inspired maiden is in relief upon the undulating form. Rambling flowers and vines, along with a butterfly, adorn the romanticized design. Hallmarks: R.U. & Co., Birmingham 1907. 5 3/4" W., 6 5/8" H., 3 3/4" diameter photo.
Extraordinary English sterling silver Art Nouveau card case. A distinct Alphonse- Mucha-influence maiden is in high relief upon its front. The profile, with cascading hair and elaborate headband, is reminiscent of Mucha's depictions of Sarah Bernhardt. Floral and scrolling patterns in relief further enhance the lovely case, which accommodates a present-day, business-card size. Hallmarks: Clifford & Norris, Birmingham 1902. 2 3/4" W., 3 7/8" H.
Round pottery tray with robust Art Nouveau florals glazed in cobalt blue with two tones of gray upon a white ground. A pierced gallery enhances the surround. Germany circa 1905. 12" W., 1 1/8" H.
Lovely box with pottery inset upon its hinged top. Interlacing high Art Nouveau design glazed in deep blue and gold upon a white ground. Box made of nickel; Germany circa 1905. 2 7/8" H., 4 1/2" W.
Most unusual example of a fine Art Nouveau silver card case. Rambling vines along with daffodils in high relief are upon the cover of the case. The case, with its spring mechanism, opens to reveal a beautifully fitted interior of moire silk. Each side has a gusset pocket to hold a card. The form accommodates modern- day-size business cards. Impressed marks for 800 fine silver along with maker stamp: Germany circa 1900. 2 5/8" W., 4" L.