Catalog: Antiques (157)

Beautifully detailed bronze of girl pouring a jug by the sculptor Rudolph Kaesbach (Germany 1873-1955). The girl, with a rich, deep golden patina, has long, wavy hair adorned with ribbon bows. The bronze stands upon a variegated grey, beige and brown marble base. Signed R. Kaesbach; Germany circa 1910. 10 7/8" H.

Hand-chased, silver overlay decanter with a tall, complementing, pinched stopper. The elegant form, with its elongated neck, is extensively overlaid with large, robust Art Nouveau flowers and interlacing vines. An elaborate cartouche with monogram is marked 1881-1906. Made by the Alvin silver workshop of Rhode Island circa 1900. 12 1/8" H.

The Bronze Flute Player depicts a boy wearing a plumed and tasseled hat playing his instrument. He is further adorned with a fur vest and a leather pouch. Patinated in rich brown tones with golden highlights. Signed E. Barillot (Eugene Barillot, France 1841-1900). The sculptor, who trained at the Berlin Academy, was active 1870-1900. The bronze stands upon a two-part plinth of variegated grey, black and gold marble. France circa 1890. 8 3/8" H.

An energetic Bacchic putto and goat frolic upon a naturalistic, rocky ground. The ground is further enhanced with clusters of ivy and grapes along with florals as well as a ribboned staff. The finely detailed multi-cast group, in the manner of Clodion and August Moreau, is patinated in rich brown with deep golden tones on the putto. All rest on a variegated red marble demilune base. France circa 1880. 8 7/8" W., 8 3/4" H., 5 1/8" D.

Stunning high Art Nouveau design! A reticulated whiplash form support in each corner upholds the jewel box. Interlacing, sweeping vines and Art Nouveau florals are in relief upon the top and all sides. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany, circa 1900. Illustrated in the firm's well-known 1906 catalogue. Marks beneath. 2 3/4" H., 4 1/2" W., 6 3/4" L.

Patinated repousse brass Art Nouveau photo frame depicting a pair of facing winged phoenixes. Undulating serpent-like forms complete the extraordinary design of the large, brass-wrapped angular frame. In the style of Alfred Daguet, France circa 1900. Wooden easel back. 9" W., 11 12" H; 3 1/2" W., 5 1/4" H. photo

Colorful Art Nouveau pottery butter box. The undulating form, with a bell flower and vines in relief, has an applied naturalistic frond handle. Glazed in minty greens along with burgundy and yellow. Interior is a rose tone. Impressed Austria beneath, circa 1900. 3 1/4" H., 6" W., 8 3/4" L.

Antique sterling silver letter opener has lush turquoise green enamel upon its handle. Front of its silver blade is hand-chased with scrolling foliates. Hallmarks: Richard Martin & Ebenezer Hall, Sheffield 1902. 9 1/2" L.

Unusual example of an antique sterling silver and enamel letter opener. The hallmarked opener is elaborately hand-chased with foliates, interlacing Celtic designs and a detailed, swimming fish upon both sides. Large silver handle is enameled in amethyst. Hallmarks: Richard Martin & Ebenezer Hall, Sheffield 1873. 8 1/2" L.

High Art Nouveau bronze letter opener. Beautifully cast, interlacing vines and flowers adorn the elegant opener. An Art Nouveau maiden with cascading hair is upon the top. France circa 1900. 8 3/4" L.

Lovely sterling silver Art Nouveau photo frame. An Alphonse- Mucha-inspired maiden is in relief upon the undulating form. Rambling flowers and vines, along with a butterfly, adorn the romanticized design. Hallmarks: R.U. & Co., Birmingham 1907. 5 3/4" W., 6 5/8" H., 3 3/4" diameter photo.

Handsome Victorian English silver and horn tall beaker. The sterling mount, with incised banded detail, is fully hallmarked: Thomas Johnson, London 1876. Nice gradation of tone. 4 1/8" H., 2 7/8" W.

Vienna Secession basket designed by architect Hans Ofner (1880-1939) and made in the Argentor workshop in Austria circa 1905. Crystal liner rests within rounded frame displaying gitterwerk elements upon its circumference as well as its open handle. Ofner studied with Josef Hoffmann at the Kunstgewerbescule. He went on to create Vienna Secession interiors along with fine metalwork, furniture and jewelry. An Ofner gitterwerk vase by Argentor is in the collection of the Museum of Modern Art, New York. 7 1/2" H., 5 1/2" W.

Made by Henry Wilkinson of Sheffield circa 1910. Brown leather-covered flask has a detachable drinking cup. The cup is hand-chased with detailed foliates and is gilded within. 3 1/4" W., 5 5/8" H.

Lovely box with pottery inset upon its hinged top. Interlacing high Art Nouveau design glazed in deep blue and gold upon a white ground. Box made of nickel; Germany circa 1905. 2 7/8" H., 4 1/2" W.

Most unusual example of a fine Art Nouveau silver card case. Rambling vines along with daffodils in high relief are upon the cover of the case. The case, with its spring mechanism, opens to reveal a beautifully fitted interior of moire silk. Each side has a gusset pocket to hold a card. The form accommodates modern- day-size business cards. Impressed marks for 800 fine silver along with maker stamp: Germany circa 1900. 2 5/8" W., 4" L.

Elegant, large, sterling silver magnifier. The long handle has a hand-chased spiral-foliate pattern in relief. Hallmarks: Hilliard & Thomason, Birmingham 1899. 4" W., 10 1/4" L.

Completely hammered wine bottle stand. The Vienna Secession-era stand was made in the Frantisek Bibus, known as Franz, workshop in Bohemia (Czechoslovakia) circa 1910. 2 1/4" H., 3 1/2" W.