Catalog: Antiques (166)

Kralik Glatt Silberiris vase with fine silver overlay. Cased golden iridescent pinched vase with a rose orchid interior. Art Nouveau chased silver flowers and vines embellish the form. Wilhelm Kralik Sohne was founded by Josef Meyr in Austro-Bohemia circa 1815. Silver overlay bears marks from La Pierre of New York, N.Y., and Newark, N.J., circa 1905. Dimensions: 4 1/4" H.

Fine Art Nouveau silver jardiniere with Art Nouveau maidens representing the arts. One strokes a lyre while the other holds a painter's brush and palette. Reticulated flowers and interlacing vines complete the design along with naturalistic openwork handles. A cut-crystal liner rests within. Stamped marks for the Martin Mayer workshop of Mainz, Germany along with 835 Fine Silver marks, circa 1900. Artists commissioned by Mayer include Peter Behrens and Hans Christiansen. 3 7/8" H., 5" W., 11" L.

Beautifully executed Vienna Secession design upon this biscuit barrel made by the well-known firm of WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1905. Reticulated frame and lid with Secession elements which are repeated in the hand-cut and etched crystal liner. Illustrated on page 252 in the workshop's 1906 catalogue. 8 1/2" H., 3 3/4" D., 5 3/4" W.

Lovely Victorian heart-form snuff or trinket box. The sterling silver box has repousse florals and scrolling elements upon its sides and removable top. An undulating, crimp edge completes the romanticized heart design. Hallmarks: William Comyns, London 1888. 1 5/8" W., 1 7/8" D., 1 3/8" H.

Lovely Art Nouveau Doulton Lambeth stoneware vase. The bold, bulbous, baluster form with its upward-turned opening, is glazed in cobalt blue. Five large heart-form leaves with detailed relief beading are glazed in celadon. Additional leaves as well as pendant Art Nouveau foliates are glazed in light blue, gold and dark green. Impressed marks as well as workshop marks for Miss B. Harman, circa 1904. 11 1/8" H.

Lovely, undulating Art Nouveau brass photo frame. The fluid design has interlacing strapwork as well as curved elements. An unusual example, European circa 1900. 7 1/4" W., 9 1/2" H; 4" W., 6 1/2" H. photo

Large bulbous form silver overlay flacon or decanter. Extensively overlaid in robust Art Nouveau flowers and vines. Fine hand-chased detail enhances the interlacing silver work. A tall dome-form stopper completes the design. American, circa 1900. 8 1/4" H., 4 1/2" W.

Lovely antique French jewel box with kingwood marquetry. The box, with bronze mounts, has a central, hand-painted Sevres, or Vieux Paris porcelain oval medallion upon its top. Interior is fitted with the original tufted rouge silk liner. France circa 1890. 3" H., 5 1/4" W., 8 1/8" L.

Stunning example from the well-regarded Orivit workshop of Cologne, Germany circa 1904. The pewter framework with its fluid, undulating form, has swirling foliate and berry patterns in relief. The large tray is flanked by curving, open Art Nouveau handles with firm's marks stamped beneath. Supported by eight feet, one replaced as seen in photo. Orivit, founded by Wilhelm Ferdinand Hubert Schnitz in 1894, commissioned well-known designers such as Hermann Gradl and Walter Scherf. In 1904 the firm was acquired by WMF {Wurttembergische Metalwaren Fabrik). Pictured in the book title, "ORIVIT: Zinn des Jugendstils aux Koln." The Brohan Museum in Berlin has a prominent collection of Orivit inclusive of several trays. Dimensions: 13 1/2" W., 22 1/2" L.

Art Nouveau Daum Nancy cameo glass quatrefoil-form bowl. Rambling golden leaves along with blue-purple berries, all in cameo, are around the circumference. A mottled background is in tones of yellow, green and amber. Signed in the cameo, Daum Nancy with the Croix de Lorraine. France circa 1900. 3 1/4" H., 8 1/4" W.

Handsome antique crocodile-wrapped whisky flask. Fitted with a removable silvered drinking cup, gilded within. Made in Sheffield circa 1910 by James Dixon & Sons. 3 3/4" W., 6 1/8" H.

Chased, large silver overlay flower heads adorn the bottom of the bulbous-form emerald green glass vase. Art Nouveau silver leaves and vines ramble upward upon the tall, long-neck form. An engraved, oval cartouche completes the fine design. Stamped marks for the Alvin silver workshop of Rhode Island, circa 1900. 12" H.

Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.

Art Nouveau brass box with bronze patina has a central maiden's face in high relief upon the hinged top. Interlacing foliates in relief complete the cover design. Heart-shape foliates enhance the sides. Wooden lining. Made in France circa 1905. 2 3/4" H., 6 1/4" W., 9 3/4" L.

Stunning antique sterling silver and enamel butterfly brooch. The detailed lilac wings, with veining in black, have iridescent green patterns along with a green body. Made by the John Atkins & Sons workshop, well-known for their fine silver and enamel jewelry. Fully hallmarked: John Atkins, Birmingham 1915. 2 1/4" W., 1 1/8" H.

Fine antique crystal box with a minutely detailed, cast bronze eagle upon its hinged cover. The eagle is complemented by bronze Art Nouveau floral elements along with foliate-trim mountings. The marquise-form crystal box is cut with vertical fluting and a starburst upon its base. France circa 1900. 2 3/8" H., 4 3/8" W., 8 5/8" L.

Fine quality aqua Bristol glasses with cut pillar stems. Additional cutting upon the goblet. A beautiful Victorian-era set, circa 1890. 5 1/4" H. each

Very nice example of this highly collected corkscrew. The celluloid stockings are striped in bright dark green and ivory. Nickel mounts are in the form of high-button boots. Influenced by the "Can-Can" dancers of the 19th century, Moulin Rouge-era Paris. Made in Germany circa 1895. 2 5/8" L. closed, 5 1/4" W. fully open

Beautifully stylized Doulton Lambeth stoneware jardiniere. Interlacing robust foliates as well as whiplash vines are tube lined. Glazed in royal and light blues along with celadon and sepia brown. Unusual mottled, sponged effect upon surface. Impressed Doulton Lambeth marks for period circa 1902 along with decorator marks for Jane Rumbol. 7 3/4" H., 8 1/2" W.

Stunning Secession design. The body of the copper wine or Champagne cooler is hammered. The brass top with its openwork patterns has Secession florette, as well as geometric forms. Energetic flanking brass handles have a central bead element. Made in Germany circa 1905. 9 3/4" H., 11" W.

Sweeping handles flank the bold Art Nouveau wine or Champagne cooler. Interlacing stylized Jugendstil foliates in relief exuberantly adorn front and back. Made by the Gerhardi workshop in Germany circa 1900. 9 3/8" H., 12" W. to handle

Stunning example! The wide-lobed form vase, with a crimped center, is in a deep cornflower blue. Four sections of Vienna- Secession-design fine silver overlay, with a distinct Dagobert Peche influence, adorn the surface. The flared top is completely covered in silver. Germany circa 1915. 5 3/8" H.

The original lithograph by Georges Meunier, 1898, advertises the famous 19th century Parisian dance hall, Bullier. Carved frame with UV-Plexi, 19 1/2" W., 23 1/4" H.

Les Maitres de l'Affiche

In the 1890's streets in major cities were enriched with large and colorful advertising posters created by leading artists of the era. The prominent artist, Jules Cheret had his own print workshop in Paris which offered works from the Imprimierie Chaix print workshop. As artistic director of Chaix, Cheret had the vision to create Les Maitres de l'Affiche (Masters of the Poster). The series of 11 3/8" x 15 5/8" posters designed by the most prestigious poster artists of the day were chromolithographic reductions of the same large format examples be these artists. Prints were sold in packages of four and offered from December 1895 to 1900. Ninety seven artists were represented in the series which on occasion included a bonus plate. 256 total plates or images were produced in the five years Les Maitres de l'Affiche was offered. Each print has an embossed seal confirming it's authenticity.

The original lithograph by Alice R. Glenny advertises the Women's Edition of the 19th century publication, Buffalo Courier. Glenny, an American painting and graphic artist, became president of the Buffalo society of artists. She studied with William Merritt Chase. Carved frame with UV-Plexi, 19 1/2" W., 23 1/4" H.

Les Maitres de L'Affiche

In the 1890's streets in major cities were enriched with large and colorful advertising posters created by leading artists of the era. The prominent artist, Jules Cheret had his own print workshop in Paris which offered works from the Imprimierie Chaix print workshop. As artistic director of Chaix, Cheret had the vision to create Les Maitres de l'Affiche (Masters of the Poster). The series of 11 3/8" x 15 5/8" posters designed by the most prestigious poster artists of the day were chromolithographic reductions of the same large format examples be these artists. Prints were sold in packages of four and offered from December 1895 to 1900. Ninety seven artists were represented in the series which on occasion included a bonus plate. 256 total plates or images were produced in the five years Les Maitres de l'Affiche was offered. Each print has an embossed seal confirming it's authenticity.

Superb quality and beautifully presented. Arts & Crafts English sterling silver tyg tri-handle tots or shot glasses. Each are fully hallmarked for J & W Deakin of Sheffield, 1911. In addition, each bears marks beneath for prominent retailer Cooke & Kelvey of Calcutta. The establishment founded by Thomas Cooke & Robert Kelvey in the Victorian era, offered finest quality silver and jewels to Royals and Nobility of the era. Fitted in original silk and velvet lined case. 2" H. 1 1/4" W., 1 3/4" W. to handles each.

Open flower heads adorn the Art Nouveau frame with its robust scrolling elements. The elegant wave-form frame is completed by a vacant asymmetrical cartouche upon its top. Hallmarks: Henry Matthews, Birmingham 1898.  5 3/4" W., 8 1/4" H.; 3 3/4" W., 5 1/2" H. photo  

Superb example for the collector of golf related items. The sterling silver spoon has a golfer attired in traditional, period knickers and a cap. He is poised to putt a golf ball upon the naturalistic turf beneath him. Remarkable, minute crisp detail to the face and the attire. Hallmarks: Levi & Salaman, Birmingham 1911. 5" L.

Detailed hand chased foliates surround the naturalistic design. Green agate is inset in the form of top and side fronds of the thistle. A bottom striker and chatelaine ring upon the vesta top complete the unusual example. Hallmarks: Joseph Cook & Sons, Birmingham, 1919. 1 1/4" W., 1 7/8" H.

The handsome large sterling silver vesta case is hammered upon its front with a central medallion inscribed, Lancs & Yorks, Bulldog Match, 1909, along with chased accents. The gently curved back is undecorated and a chatelaine ring is upon the vesta's side. A striker completes the design of this unusual example marking the Bulldog event in the Lancashire and Yorkshire region. Hallmarks: Richard Martin & Ebenezer Hall, Birmingham, 1906. 2 1/8" H., 2 1/8" W.  

Bold magnifier has a naturally textured staghorn handle for a comfortable grip. Sterling silver end mount with its foliate-and-ribbon design is hallmarked: Henry Howson, Sheffield 1895. 4" W., 10 1/2" L.

Antique sterling silver Edwardian whistle. The fully functional whistle is mounted with a chatelaine ring. Hallmarked: William Oliver, Birmingham 1909. 2" L. with ring

Extraordinary Art Nouveau large double photo frame made by the famous WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. A central, romanticized maiden upholds sweeping flowers upon vines on the rectangular form. Jugendstil designs in relief further enhance the borders of the frame that accommodates two photos. Illustrated on page 305 in the well-known WMF 1906 catalogue published by the Antiques Collectors Club. Signed beneath with workshop marks. 12 1/4" W., 10 1/2" H.; 3 3/8" H., 3 1/2" W. each photo

A WMF Art Nouveau sweetmeat stand designed by the influential sculptor/designer Albert Mayer for the well-known German firm, WMF (Wurttembergische Metallwarenfabrik). Mayer was appointed head of the Art Studio in 1894 and specialized in designs which depicted beautiful maidens and nymphs with flowing hair, etc. Illustrated in The Art Nouveau Domestic Metalwork Catalog 1906. Bears WMF mark underneath. Germany circa 1900. 9" H., 14" L., 5 1/2" W.

Handsome English antique sterling- silver-mounted flask. Bound with crocodile, the flask has a drinking cup with gilded interior which slips off for convenience. Cap is threaded to turn and lock into place. A bayonet hinge keeps the cap from detaching. Hallmarks: James Dixon & Sons, Sheffield 1912. 3 3/8" W., 5 5/8" H.

Antique sterling silver whistle with a ribbed pattern. The Victorian-era example, with its chatelaine ring, is fully functioning. Hallmarks: Francis Webb, Birmingham 1894. 1 7/8" L.

Lovely Art Nouveau letters or stationery box has its original fitted wooden interior. Extensive Art Nouveau whiplash, foliates and scenic designs are in relief on the silvered, hinged-top form. Made in England circa 1900. 3 1/2" D., 9" L. 5 3/4" H.

A carved wood Victorian-era wooden handle with silver mounts is upon the magnifier. Silver has floral as well as chased designs. Hallmarks: Maker TR.AR, Birmingham 1891. 4" W., 10 1/2" L.

Extraordinary, lively Austrian bronze dog stands upon its hind legs as it holds a lariat with its paws. The detailed figure has nuanced patination of the detailed fur. Fine example for the collector of unusual Austrian bronze animals. Circa 1910. 3 1/4" H., 2 1/8" W.

Lovely Victorian silver-plated basket with an elaborate, splayed, twig-form handle. Basket interior has cascading flowers in relief with chased detail. English registry mark beneath for April 26, 1881, along with maker mark of Henry Wilkinson of Sheffield. 4 1/2" H., 10" W.

A stunning example of fine Art Nouveau. The pewter-mounted glass vase is from the Moritz Hacker (Budapest 1849-1932) workshop founded in Vienna, Austria in 1882. Three detailed, cast irises climb the sides of the Loetz lilac glass vase decorated with undulating waves in aubergine. The well-regarded Hacker, a jeweler to the royal court, often collaborated with Loetz. Signed with Hacker workshop marks upon mount; Vienna circa 1900-05. 8 1/4" H.

Lovely Edwardian ebony candlesticks with a baluster-form column. Each are mounted with a hand-chased silver applique. London circa 1900-10. 6 1/8" H. each

Elaborate silver oval frame. A central mask of a woman with headdress adorns the top. Foliates in relief further adorn the borders. Stamped with French marks, circa 1900. 5 1/4" W., 8 5/8" H.; 4" W., 5 5/8" H. photo

Large antique classic design photo frame. The tall sterling silver, vertical form has raised borders and retains its original oak easel back. Hallmarks: Walker & Hall, Birmingham 1918. 9 3/4" W., 11 3/4" H.; 8" W., 10" H. photo

Wine- barrel-form Arts & Crafts claret jug made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1910. The crystal jug, cut with vertical panels, has rivet strapwork, as seen on an actual barrel. The hinged cover, with its thumb opener, has a pouring lip. 8 3/4" H., 5 1/2" W. to handle

Antique brass tassel-form letter clip or note holder. The clip has a loop to allow it to hang if desired. Stamped Merry Phipson & Parker, January 1845. 2 1/4" W., 6" L.

Elegant Victorian, English tall wine bottle coaster stand. The high-hat form has pierced design along with garlands and lion masks in relief. The flaring top is cast with grape leaves and clusters. The pattern is by Barker Ellis of Birmingham circa 1880. 4 1/4" H., 7 3/8" W.

Elaborately carved with alternating panels. Reticluated foliates and stacked log designs are on the six flaps that fan outward to hold letters or notes. Sides are curved to appear as tree bark. Switzerland, early 1900's. 5 1/2" W., 13" H.

Exceptional book- form-design, gilded bronze and champleve enamel quadruple photo frame. The book, with detailed sides that appear as pages, opens to reveal stylized apertures for four photos. Elaborate cast, mounted appliques have enamels in tones including turquoise, yellow, white, mauve and black, among scrolling, gilded elements. The book is mounted upon its own bronze easel. France circa 1890. 8 1/2" W., 11 1/4" H. closed, 10 1/4" W. open; 3 1/4" W., 4 3/4" H. each photo

Victorian figural donkey or pack mule condiment stand. The whimsical, detailed silvered form holds original cranberry cut crystal open salt and condiment holders. Made by the Villiers workshop in Sheffield circa 1870. 5" W., 4" H.

Whimsical English Victorian cigar cutter in the form of a Bollinger Champagne bottle. Made of carved horn with silvered metal mounts that are fashioned as the cork's foil covering. Twist the top of bottle to allow the cheroot cutter to flip out. Stamped registry marks: June 29, 1883. 2 1/8" L.

Finely cast gilded bronze tray with detailed, reticulated foliates in high relief. The stunning Art Nouveau form rests upon four cast feet and is signed M. Migneaux; France circa 1900. 7 1/4" W., 8 7/8" L.

Wonderful marabou figural cigar cutter. Designed by Ignatius Taschner (Germany, 1871-1913), known for his animal sculptures. The hammered steel bird has a guillotine-design beak. Raise beak, insert cigar into the eye, drop beak to cut, and allow cigar tip to fall into waiting copper bowl beneath. Clever and whimsical. Germany circa 1905. 5" W., 6 1/8" H.; 8" H. (beak extended)

Fine set-of-six sterling silver tots, or shot glasses. The Arts & Crafts tyg tri-handle-form shots are each fully hallmarked: James Wakely & Frank Clarke Wheeler, London 1910. Beautifully presented in original fitted lush burgundy velvet- and satin-lined case. 2" H., 1 3/8" W., 2" W. to handles each

A most unusual-to-find matching pair of silver overlay vases. Each is in emerald green glass with extensive overlay work, all with hand-chased detail. Interlacing Art Nouveau designs climb the baluster form. Four robust flowers emerge from their stems upon the upper portion of the vases. American circa 1900. 10" H. each

Finely cast bronze entitled "Le Travail," by Maurice Joseph Constant, France 1892-1970. The bronze depicts a youthful man with a hammer and anvil along with calipers. The figure is clad in a fur, belted loin cover. Signed upon top of base M. Constant. Original plaque upon the front: Le Travail, Par Mce. Constant (Mention au Salon). Deep golden olive patina; France circa 1910. 7 1/2" H.

Lighthearted bronzes depicting a young girl and boy ice skating, by Franz Iffland (Berlin 1862-1935). The girl, in her fur-trimmed cape, has her hands in a muff; the boy in fur-trimmed cape, holds a cupid-like feathered arrow with bow. Iffland, a member of the Berliner Bildhauerschule, was active 1885-1915. He became most well-known for his sculptures of young children and women. The richly patinated skaters stand upon tall, dark green marble bases. Each signed F. Iffland; Germany circa 1900. 10 1/4"-10 1/2" H. each

Beautifully detailed ram-mounted figural letter opener. The silvered pewter opener was made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1910. 7 5/8" L.

Beautifully detailed bronze of girl pouring a jug by the sculptor Rudolph Kaesbach (Germany 1873-1955). The girl, with a rich, deep golden patina, has long, wavy hair adorned with ribbon bows. The bronze stands upon a variegated grey, beige and brown marble base. Signed R. Kaesbach; Germany circa 1910. 10 7/8" H.

Hand-chased, silver overlay decanter with a tall, complementing, pinched stopper. The elegant form, with its elongated neck, is extensively overlaid with large, robust Art Nouveau flowers and interlacing vines. An elaborate cartouche with monogram is marked 1881-1906. Made by the Alvin silver workshop of Rhode Island circa 1900. 12 1/8" H.

The Bronze Flute Player depicts a boy wearing a plumed and tasseled hat playing his instrument. He is further adorned with a fur vest and a leather pouch. Patinated in rich brown tones with golden highlights. Signed E. Barillot (Eugene Barillot, France 1841-1900). The sculptor, who trained at the Berlin Academy, was active 1870-1900. The bronze stands upon a two-part plinth of variegated grey, black and gold marble. France circa 1890. 8 3/8" H.