Unusual set-of-six cocktail picks, each mounted with an actual sixpence silver coin. The coins each have a profile of King George V upon the front. Two dated 1921 and two dated 1922 have a rampant lion on reverse; one dated 1928 and one dated 1929 have oak leaves on reverse. Coins are mounted upon long, twist-stem cocktail picks. Each stamped with 830 silver fineness. 5" L. each pick.
Wonderful cocktail picks stand in the form of a carved windmill. The windmill blade even turns. A set-of-twelve picks with round, carved wood finials rests within a mounted metal holder. Nice, unusually large set of picks to skewer an olive, cherry or hors d'oeuvre. Made in France circa 1930's. 6 1/8" H.
Stunning design! A robust wide band of foliates in high relief encircles the wine, or Champagne cooler. Curving handles with scroll elements further enhance the elegant form. Made by the Orivit workshop, well-known for fine Art Nouveau design in Cologne, Germany circa 1910. 9 1/4" H., 11 1/2" W. to handles
Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.
Art Deco corkscrew made of Bakelite. The two-part red and black corkscrew unscrews at the top to reveal the corkscrew within. France circa 1930. 4 3/8" L.
Finely cast Art Deco archer by Salvatore Melani (Italy, 1902-1934). The romanticized, draped figure has sculpted muscle-tone detail. The kneeling archer holds a bow upon a two-level variegated black-and-white marble base with geometric green onyx insets. Green patinated metal figure is signed upon the reverse. France circa 1930. 8" W., 17 3/4" H., 23 1/2" W.
Large Art Nouveau figural mirror. A lovely Alphonse Mucha-inspired maiden forms the mirror's stand. She gazes upward into her own boudoir mirror as her sweeping gown forms a tray beneath. The stunning high Art Nouveau design retains its original double-bevel curving mirror. A detailed cast bird in flight completes the polished pewter form. Germany circa 1900. 14"W., 18 1/2" H.
A large set-of-twelve multi-color Bakelite cocktail picks are each supported within their designated slots. The burgundy, green and butterscotch step designs fan out upon the macassar-wood, fan-form holder. A most unusual example of fine French Art Deco. France circa 1930's. 3 1/2" H., 2 1/2" W.; 2 7/8" L. each pick
WMF (Wurttembergische Metallwarenfabrik) Art Nouveau chamberstick with a stylized, sweeping, open handle. The unusual example has a hinged top storage compartment to hold matches. A striker is built into the top. The lovely Jugendstil design has foliates in relief to complete the design. Illustrated in the well-known WMF 1906 catalogue, page 117. Firm's marks upon the handle. Germany circa 1900. 5" W., 7" L.
Steuben Optic Swirl Vase in Green Jade glass. The form is Frederick Carder's original design #6031, as illustrated in "The Glass of Frederick Carder," by Gardner, page 277. 6 3/4" H., 6 1/2" W.
Beautifully detailed, patinated metal figure of a hurdler by the famous Art- Deco-era sculptor, Demetre Chiparus (born 1886 in Romania, died 1947 in France). The figure with outstretched arms jumps above, as he clears the hurdle beneath. Signed D.H. Chiparus upon the naturalistic ground, with foundry seal upon back edge. The figure rests on a variegated black and white marble base. France circa 1930. 11 1/2" W., 6 3/4" D., 18 1/2" H.
Scarce-to-find, large, set-of-twelve sterling- silver- and-Bakelite cherry cocktail picks. Each Art- Deco-era pick is fully hallmarked: Deakin & Francis, Birmingham, 1933. Fitted in original, silk- and- velvet-lined case. 3 1/2" L. each pick
Large Art Deco figure group of Diana the Huntress, by J. Dauvergne. A kneeling Diana holds a spear as two leaping ibex run forward. The figures are upon an elaborate, variegated, cream-and-caramel onyx base with green onyx insets. Geometric marble forms further enhance the bold Art Deco design. Diana, with a patterned drape about her shoulder, is patinated in silver and gold; the ibex in aubergine. Signed upon the base, J. Dauvergne. France circa 1925. 21" H., 33 1/2" L., 7 1/8" D.
Lovely carved antique Black Forest wooden box. Florals in high relief are upon the top with a naturalistic wood-swirl pattern carved upon top as well as sides. A buckle-and-strap design further embellishes the rectangular form. Retains its original, functioning and locking key. Germany circa 1890. 2 5/8" H., 4" D., 10 7/8" L.
Lustrously enameled sterling silver in vibrant blues, an oval medallion is surrounded by a curving reticulated Art Nouveau design. A pendant drop further enhances the lovely design. A similar pendant is pictured in "Charles Horner of Halifax," page 87. Hallmarks: Charles Horner, Chester 1911. 1 1/2" L.
This well-known Modernist shaker was designed by Folke Arstrom for Guldsmedsaktiebolaget (GAB) in Stockholm in 1935. Made of nickel-plated brass and Bakelite. Concave and convex panels with incised, patinated, horizontal grooves at lower section. Top cap unscrews to reveal an internal wafer strainer. Firm's marks upon base. 8 3/4" High. ***Long established a a leading specialist in finest quality Art Deco era cocktail shakers - from classic to figural forms - Over 75 examples in our stock at all times - Many not listed on our site.***
Sweet Art Nouveau bronze letter opener. A young boy in detailed relief with his heels upward, contemplates a rabbit among grasses. Open, curved handle. Made in France circa 1900. 8 1/2" L.
Secession pottery covered bowl by Dagobert Peche (Austria 1877-1923). Impressed marks for Gmunder Keramik Austria 1915-20. The firm executed pottery for the Wiener Werkstatte. Stylized Vienna Secession design of a figural, reclining woman holding a flower amidst a naturalistic gardenscape glazed in black and white. A tree is upon the reverse. The cover is crowned by a finial along with a geometric Secession pattern. Similar work seen in "Dagobert Peche and the Weiner Werkstatte," Yale University Press in association with the Neue Galerie in New York, copyright 2002. 3 1/4" H., 4" W.