Catalog (38)

Steuben optic swirl pattern amber fan vase with a knop support and wafer base. An iconic Art Deco form circa 1920's designed by Frederick Carder. Design #6287 as illustrated in "The Glass of Frederick Carder," by Gardner, page 280. 6 7/8" W., 9" H.

A rare color combination. Pair of Steuben conical-form goblets in Grenadine with applied Mirror Black rims. A clear wafer foot supports each goblet. Frederick Carder's design #5130 as illustrated on page 199 in "The Glass of Frederick Carder," by Gardner; circa 1920. One signed with Steuben acid stamp mark. 5 1/8" H.

Exceptional Frederick- Carder-era Steuben Blue Aurene bowl, or compote. The footed form, with a column that supports the lustrous blue bowl, has onion-skin edging along with purple and metallic highlights. Signed beneath Aurene with Carder's design number 2760. A drawing of the design is seen on the Carder Steuben Club website. 10 1/8" W., 4 1/2" H.

Stunning example of a single Steuben twist-rope column candlestick. The tall amber form has an optic ribbed candle cup and footed support in Celeste Blue. A striking color combination and pattern for the collector of fine early Steuben glass. Frederick Carder design number 6107, as illustrated in The Glass of Frederick Carder, page 164; circa 1920. 12" H.

Fine in both quality and design. The tall, hand-hammered Chinese export silver shot glass has a detailed, hand-chased dragon applique that wraps about the circumference. A vacant medallion applique further enhances the design. Made by the Wing On silver workshop of Hong Kong circa 1920. 2 1/8" H.

Large example of an L.C. Tiffany Favrile decorated center bowl with its original two-tier flower frog. The rolled rim form is decorated with green lily pads and trailing vines upon the golden multi-hued iridescent glass. Both the bowl and looped frog are each signed "L.C. Tiffany Favrile," along with "4028K," circa 1916. 14" W.

Tall emerald green silver overlay vase. The ribbed glass form with gently flared opening has abundant scrolling overlay foliates with hand-chased details. American circa 1900. 10 1/4" H.

Edwardian-era hexagonal-form decanter. Elaborately cut with florettes and oval elements. Tall oval stopper has complementing cut accents. Ideal for whisky or liquors. England circa 1910. 8 1/2" H.

Fine set-of-six sterling silver tots, or shot glasses. The Arts & Crafts tyg tri-handle-form shots are each fully hallmarked: James Wakely & Frank Clarke Wheeler, London 1910. Beautifully presented in original fitted lush burgundy velvet- and satin-lined case. 2" H., 1 3/8" W., 2" W. to handles each

Superb quality and beautifully presented. Arts & Crafts English sterling silver tyg tri-handle tots or shot glasses. Each are fully hallmarked for J & W Deakin of Sheffield, 1911. In addition, each bears marks beneath for prominent retailer Cooke & Kelvey of Calcutta. The establishment founded by Thomas Cooke & Robert Kelvey in the Victorian era, offered finest quality silver and jewels to Royals and Nobility of the era. Fitted in original silk and velvet lined case. 2" H. 1 1/4" W., 1 3/4" W. to handles each.

Stunning example! The wide-lobed form vase, with a crimped center, is in a deep cornflower blue. Four sections of Vienna- Secession-design fine silver overlay, with a distinct Dagobert Peche influence, adorn the surface. The flared top is completely covered in silver. Germany circa 1915. 5 3/8" H.

Stunning Art Nouveau Vase! Large cased ruby red over amber glass intaglio cut florals and vines rambling about the surface of the tall form. Further cutting within the amber foliates is highlighted with silver. Attributed to the Harrach Workshop known for their fine Art Nouveau intaglio work. Bohemia circa 1900. Dimensions: 12 7/8" H.

Richly opalescent aqua floriform-top pastel goblet with contrasting white veining. A tall, ribbed stem is supported by a ribbed, undulating base. Signed L.C.T. Favrile; circa 1905. 8 5/8" H., 3 5/8" W.

Sterling silver tray has a golf club perched upon its top. Bottom of the tray is glass. Hallmarks for Birmingham 1905. 1 1/8" H., 2 7/8" W.

A stunning example of fine Art Nouveau. The pewter-mounted glass vase is from the Moritz Hacker (Budapest 1849-1932) workshop founded in Vienna, Austria in 1882. Three detailed, cast irises climb the sides of the Loetz lilac glass vase decorated with undulating waves in aubergine. The well-regarded Hacker, a jeweler to the royal court, often collaborated with Loetz. Signed with Hacker workshop marks upon mount; Vienna circa 1900-05. 8 1/4" H.

Chased, large silver overlay flower heads adorn the bottom of the bulbous-form emerald green glass vase. Art Nouveau silver leaves and vines ramble upward upon the tall, long-neck form. An engraved, oval cartouche completes the fine design. Stamped marks for the Alvin silver workshop of Rhode Island, circa 1900. 12" H.

Art Nouveau Daum Nancy cameo glass quatrefoil-form bowl. Rambling golden leaves along with blue-purple berries, all in cameo, are around the circumference. A mottled background is in tones of yellow, green and amber. Signed in the cameo, Daum Nancy with the Croix de Lorraine. France circa 1900. 3 1/4" H., 8 1/4" W.

Large bulbous form silver overlay flacon or decanter. Extensively overlaid in robust Art Nouveau flowers and vines. Fine hand-chased detail enhances the interlacing silver work. A tall dome-form stopper completes the design. American, circa 1900. 8 1/4" H., 4 1/2" W.