Catalog (38)

Kralik Glatt Silberiris vase with fine silver overlay. Cased golden iridescent pinched vase with a rose orchid interior. Art Nouveau chased silver flowers and vines embellish the form. Wilhelm Kralik Sohne was founded by Josef Meyr in Austro-Bohemia circa 1815. Silver overlay bears marks from La Pierre of New York, N.Y., and Newark, N.J., circa 1905. Dimensions: 4 1/4" H.

Prohibition-era glass dumbbell cocktail shaker in cobalt blue. A silvered cap and strainer are mounted upon its top. These highly collected glass dumbbells were created in clear glass as well as in a variety of colors. Cobalt blue is among the most desirable for collectors of these whimsical, figural forms. American circa 1930s. 12 1/4" L. *** Long established as a leading specialist in finest quality period Art Deco era cocktail shakers - From classic to figural forms - Large selection in our stock at all times - Many not listed on our site ***

Fine in both quality and design. The tall, hand-hammered Chinese export silver shot glass has a detailed, hand-chased dragon applique that wraps about the circumference. A vacant medallion applique further enhances the design. Made by the Wing On silver workshop of Hong Kong circa 1920. 2 1/8" H.

Large bulbous form silver overlay flacon or decanter. Extensively overlaid in robust Art Nouveau flowers and vines. Fine hand-chased detail enhances the interlacing silver work. A tall dome-form stopper completes the design. American, circa 1900. 8 1/4" H., 4 1/2" W.

Art Nouveau Daum Nancy cameo glass quatrefoil-form bowl. Rambling golden leaves along with blue-purple berries, all in cameo, are around the circumference. A mottled background is in tones of yellow, green and amber. Signed in the cameo, Daum Nancy with the Croix de Lorraine. France circa 1900. 3 1/4" H., 8 1/4" W.

Chased, large silver overlay flower heads adorn the bottom of the bulbous-form emerald green glass vase. Art Nouveau silver leaves and vines ramble upward upon the tall, long-neck form. An engraved, oval cartouche completes the fine design. Stamped marks for the Alvin silver workshop of Rhode Island, circa 1900. 12" H.

Fine quality aqua Bristol glasses with cut pillar stems. Additional cutting upon the goblet. A beautiful Victorian-era set, circa 1890. 5 1/4" H. each

Tall classic-form cocktail shaker in deep ruby-red glass. The chromium mounts are marked "chrome stainless." Top cap, with its engined grip pattern, removes to reveal a flat-top strainer. American, circa 1940's. 10 1/2" H.

Stunning example! The wide-lobed form vase, with a crimped center, is in a deep cornflower blue. Four sections of Vienna- Secession-design fine silver overlay, with a distinct Dagobert Peche influence, adorn the surface. The flared top is completely covered in silver. Germany circa 1915. 5 3/8" H.

Stunning example of a single Steuben twist-rope column candlestick. The tall amber form has an optic ribbed candle cup and footed support in Celeste Blue. A striking color combination and pattern for the collector of fine early Steuben glass. Frederick Carder design number 6107, as illustrated in The Glass of Frederick Carder, page 164; circa 1920. 12" H.

Superb quality and beautifully presented. Arts & Crafts English sterling silver tyg tri-handle tots or shot glasses. Each are fully hallmarked for J & W Deakin of Sheffield, 1911. In addition, each bears marks beneath for prominent retailer Cooke & Kelvey of Calcutta. The establishment founded by Thomas Cooke & Robert Kelvey in the Victorian era, offered finest quality silver and jewels to Royals and Nobility of the era. Fitted in original silk and velvet lined case. 2" H. 1 1/4" W., 1 3/4" W. to handles each.

Exceptional Frederick- Carder-era Steuben Blue Aurene bowl, or compote. The footed form, with a column that supports the lustrous blue bowl, has onion-skin edging along with purple and metallic highlights. Signed beneath Aurene with Carder's design number 2760. A drawing of the design is seen on the Carder Steuben Club website. 10 1/8" W., 4 1/2" H.

A stunning example of fine Art Nouveau. The pewter-mounted glass vase is from the Moritz Hacker (Budapest 1849-1932) workshop founded in Vienna, Austria in 1882. Three detailed, cast irises climb the sides of the Loetz lilac glass vase decorated with undulating waves in aubergine. The well-regarded Hacker, a jeweler to the royal court, often collaborated with Loetz. Signed with Hacker workshop marks upon mount; Vienna circa 1900-05. 8 1/4" H.

Fine set-of-six sterling silver tots, or shot glasses. The Arts & Crafts tyg tri-handle-form shots are each fully hallmarked: James Wakely & Frank Clarke Wheeler, London 1910. Beautifully presented in original fitted lush burgundy velvet- and satin-lined case. 2" H., 1 3/8" W., 2" W. to handles each

Wonderful sterling silver cock-tail goblets. Each of these rare-to-find examples has a fully cast, figural rooster as its stem. The set-of-four bears marks for the Reed & Barton Silver Co. of Massachusetts, circa 1950. 4 3/4" H., 3" W.

A rare color combination. Pair of Steuben conical-form goblets in Grenadine with applied Mirror Black rims. A clear wafer foot supports each goblet. Frederick Carder's design #5130 as illustrated on page 199 in "The Glass of Frederick Carder," by Gardner; circa 1920. One signed with Steuben acid stamp mark. 5 1/8" H.

Steuben optic swirl pattern amber fan vase with a knop support and wafer base. An iconic Art Deco form circa 1920's designed by Frederick Carder. Design #6287 as illustrated in "The Glass of Frederick Carder," by Gardner, page 280. 6 7/8" W., 9" H.

Steuben optic swirl vase in Pomona Green glass. The gently flaring form is Frederick Carder's original design number 6030 as illustrated on page 277 in "The Glass of Frederick Carder," by Gardner, circa 1920. 7 1/8" H., 7 1/8" W.