Catalog (366)

This British Art Deco cocktail shaker has an unusual acorn-form top finial, or cap, which removes to reveal the internal strainer. Incised horizontal bandings are around its circumference. Made by Yeoman Co. in Hertfordshire, circa 1930. 9 1/2" H. ***Long established as a leading specialist in finest quality period Art Deco era cocktail shakers – from classic to figural forms- Large selection in our stock at all times – Many not listed on our site.***

Repousse copper covered oval wooden center bowl. Scrolling Art Nouveau and beaded elements cover the surface. Multi-colored jewelled cabochons are mounted within each of six panels. Very fine and minute attention to detail with rolled copper top edge fastened to wooden bowl with tiny nail rivets. France circa 1905. Dimensions: 2 3/4" H, 7 3/8" W, 10 1/2" L.

The original lithograph by Alice R. Glenny advertises the Women's Edition of the 19th century publication, Buffalo Courier. Glenny, an American painting and graphic artist, became president of the Buffalo society of artists. She studied with William Merritt Chase. Carved frame with UV-Plexi, 19 1/2" W., 23 1/4" H.

Les Maitres de L'Affiche

In the 1890's streets in major cities were enriched with large and colorful advertising posters created by leading artists of the era. The prominent artist, Jules Cheret had his own print workshop in Paris which offered works from the Imprimierie Chaix print workshop. As artistic director of Chaix, Cheret had the vision to create Les Maitres de l'Affiche (Masters of the Poster). The series of 11 3/8" x 15 5/8" posters designed by the most prestigious poster artists of the day were chromolithographic reductions of the same large format examples be these artists. Prints were sold in packages of four and offered from December 1895 to 1900. Ninety seven artists were represented in the series which on occasion included a bonus plate. 256 total plates or images were produced in the five years Les Maitres de l'Affiche was offered. Each print has an embossed seal confirming it's authenticity.

Lovely sterling silver bowl with a distinct Alphonse La Paglia influence. The Modernist form is virtually identical to designs commissioned by Georg Jensen to be created by La Paglia to retail in the Jensen store in New York from 1948-'51. Upon the designer's abrupt passing, silver workshops created examples closely based upon those of La Paglia. American circa 1950's. 3 1/8" H., 5 1/4" W.

Danish-influence sterling silver tray. Reticulated blossom-form handles with beaded accents adorn the gently curved sides. Notch elements further enhance the rolled edge. Made by the J. Wagner & Son workshop in New York circa 1940's. 7 1/2" W. to handles.

British banded agate wax seal is cut into an octagonal with a rounded top. The polished stone is mounted with chased silver that holds its beveled agate seal with intaglio crest. England circa 1890. 2" L.

Figural wine bottle holder from Brienz, Switzerland circa mid-nineteenth century. The magnificent carved, bearded gentleman lays upon a cart and is contoured to allow a bottle to rest as he holds a twig-form collar and twig-saw to nestle the bottle. The rare holder is assembled with pegs and has working wooden wheels. Early Black Forest carvings of walnut and linden trunks, symbols of luxury and wealth, were featured in international exhibitions in London, Paris and the United States. Carving of a human figure, as well as it unusual form, make the holder an extraordinary example for the collector of wine-related antiques. Quite fine condition apart from wear to nose area upon this over 150 year old antique.11" H., 5 3/4" W., 18 1/2" L.

Antique American wild boar tusk corkscrew with sterling silver mount. Silver in a classic wave-edge design. Natural curve of the tusk achieves a natural, comfortable grip. American, circa 1900. 4 3/4" W., 4 3/4" L.

Wild boar tusk corkscrew with a large sterling silver mounted cap. Tusk has mottled tone and gradation. Walker bell feature. American circa 1900. 4 1/2" W., 5 1/4" L.

An elaborate Art Nouveau silver mount with chased floral detail adorns the wild boar tusk corkscrew. Nice, large tusk for comfortable grip. American circa 1900. 7 3/8" W., 5 1/4" L.

Bronze of a 16th-century gentleman holding two geese. Charming depiction of the well-known bronze sculpture by Hans Peisser, titled "Gaensemaennchenbrunnen" ("The Goose Man's Fountain"). The original sculpture, cast in 1550, is located in the Nuremberg Town Hall square in the old town. The depiction portrays the tale of the geese being carried to market, and as they loudly protested, the gentleman took pity upon them and swiftly returned them to their home. This detailed casting rests upon a variegated green marble base and bears the original retailer's label beneath, G.G. Leykauf. Nuremberg circa 1910. 6 1/4" H.

Exceptional book- form-design, gilded bronze and champleve enamel quadruple photo frame. The book, with detailed sides that appear as pages, opens to reveal stylized apertures for four photos. Elaborate cast, mounted appliques have enamels in tones including turquoise, yellow, white, mauve and black, among scrolling, gilded elements. The book is mounted upon its own bronze easel. France circa 1890. 8 1/2" W., 11 1/4" H. closed, 10 1/4" W. open; 3 1/4" W., 4 3/4" H. each photo

Handsome antique crocodile-wrapped whisky flask. Fitted with a removable silvered drinking cup, gilded within. Made in Sheffield circa 1910 by James Dixon & Sons. 3 3/4" W., 6 1/8" H.

Victorian figural donkey or pack mule condiment stand. The whimsical, detailed silvered form holds original cranberry cut crystal open salt and condiment holders. Made by the Villiers workshop in Sheffield circa 1870. 5" W., 4" H.

Superb example for the collector of golf related items. The sterling silver spoon has a golfer attired in traditional, period knickers and a cap. He is poised to putt a golf ball upon the naturalistic turf beneath him. Remarkable, minute crisp detail to the face and the attire. Hallmarks: Levi & Salaman, Birmingham 1911. 5" L.

Detailed hand chased foliates surround the naturalistic design. Green agate is inset in the form of top and side fronds of the thistle. A bottom striker and chatelaine ring upon the vesta top complete the unusual example. Hallmarks: Joseph Cook & Sons, Birmingham, 1919. 1 1/4" W., 1 7/8" H.

Lovely Edwardian ebony candlesticks with a baluster-form column. Each are mounted with a hand-chased silver applique. London circa 1900-10. 6 1/8" H. each

Elaborate silver oval frame. A central mask of a woman with headdress adorns the top. Foliates in relief further adorn the borders. Stamped with French marks, circa 1900. 5 1/4" W., 8 5/8" H.; 4" W., 5 5/8" H. photo