Catalog (341)

Kralik Glatt Silberiris vase with fine silver overlay. Cased golden iridescent pinched vase with a rose orchid interior. Art Nouveau chased silver flowers and vines embellish the form. Wilhelm Kralik Sohne was founded by Josef Meyr in Austro-Bohemia circa 1815. Silver overlay bears marks from La Pierre of New York, N.Y., and Newark, N.J., circa 1905. Dimensions: 4 1/4" H.

Whimsical Bakelite dice holder in mottled green with a large set-of-ten dice-form cocktail picks. Unusual tall dice design holder. France circa 1930's. 2 1/2" H., 1 1/2" W. holder; 3 1/4" L. each pick.

Fine Art Nouveau silver jardiniere with Art Nouveau maidens representing the arts. One strokes a lyre while the other holds a painter's brush and palette. Reticulated flowers and interlacing vines complete the design along with naturalistic openwork handles. A cut-crystal liner rests within. Stamped marks for the Martin Mayer workshop of Mainz, Germany along with 835 Fine Silver marks, circa 1900. Artists commissioned by Mayer include Peter Behrens and Hans Christiansen. 3 7/8" H., 5" W., 11" L.

This rare dog's head form jigger, known as the Bar Hound, rests upon its accompanying drinks pourer with original cork. The whimsical jigger is designed to stand upright on the dog's nose and ears, then ready for filling up to the 1- or 2-oz. increments marked on the side. Made in Connecticut by Napier circa 1930's. This American workshop created some of the most unusual collector-caliber cocktail accessories and shakers, including the famous figural penguin. 3" W., 2" H. jigger; 7 1/4" L. pourer. **Also available, we have identical dog jigger offered by Napier without pourer. $550.

Beautifully executed Vienna Secession design upon this biscuit barrel made by the well-known firm of WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1905. Reticulated frame and lid with Secession elements which are repeated in the hand-cut and etched crystal liner. Illustrated on page 252 in the workshop's 1906 catalogue. 8 1/2" H., 3 3/4" D., 5 3/4" W.

Unusual bucket-form sterling silver cocktail bar Jigger with a swivel bale handle. Made by the Lunt silver workshop of Massachusetts circa 1940's. Light dimple upon one side. 2" H., 3"H. to handle.

Whimsical and a scarce find. Sterling silver jigger in the form of a fireman's pail, engraved "Fire Water". The bucket, with it's swiveling bale handle is gilded within. Made by the Lunt silver workshop of Massachusetts circa 1940's. 2" H., 3" H. to handle.

Detailed sterling silver golf club cocktail picks. Each of the set-of-six picks will skewer an olive or cherry to compliment the perfect martini or cocktail. Fully hallmarked: Collis & Co., Birmingham 1929. Presented in original silk and velvet fitted case, as seen in photos. 3 1/4" L. each pick.

Quite distinctive and elegant engine turned cocktail shaker. The large classic form has wide turned bandings in an unusual moire pattern. An additional feature is housed within. The strainer section has a prong-form citrus piercer. Invert to extract essence of a lemon, lime or orange to enhance the perfect cocktail recipe. The distinctive design, made by the Birmingham Guild of Handicrafts, circa 1930. 10" H.

Lovely classic form British cocktail shaker adorned with engine turned bandings. The turning upon the body of the shaker is in a basket weave pattern. Jigger top cap has complimenting turned bandings. Made in England circa 1930's. 8 3/4" H.

Personal-size cocktail shaker for one. The design features a gilded recipe-dial top. A rotating arrow offers cocktail selections such as a Martini, Bronx, Manhattan and so on. Interior is fitted with a side-pour strainer. Made by Napier in Connecticut circa 1930's. 6 1/4" H. *** Long established as a leading specialist in finest quality period Art Deco era cocktail shakers - From classic to figural forms - Large selection in our stock at all times - Many not listed on our site ***

British glass "cock-tail" mixer with an etched rooster, or cockerel on its side. The top-mounted spout with strainer section has a handle to lift off for cleaning and filling ease. Made by James Dixon & Sons in Sheffield circa 1930"s. 7 1/4" H.

A macassar-wood base supports the silvered picks holder with its side columns. A set-of-eight bakelite- cherry-mounted cocktail picks suspend from their slotted holder. France circa 1930's.  3 1/4" H., 5 1/4" W. stand;  3" L. each pick

Fine in both quality and design. The tall, hand-hammered Chinese export silver shot glass has a detailed, hand-chased dragon applique that wraps about the circumference. A vacant medallion applique further enhances the design. Made by the Wing On silver workshop of Hong Kong circa 1920. 2 1/8" H.

Whimsical design! This cocktail recipe "Rolodex" design stand is fashioned as a chromium cocktail shaker. A knob upon the side turns to reveal an array of celluloid cards which must be flipped gently to offer recipes such as: BRONX, CLOVER CLUB, MANHATTAN, LONDON COCKTAIL and so on. Thirty one recipes plus the COCKTAIL RECIPES intro card. A scarce example for the collector of unusual cocktail bar accoutrements. Marks: Made in Germany; U.S.Zone, circa 1945. 5 1/2" H.

Lovely Art Nouveau Doulton Lambeth stoneware vase. The bold, bulbous, baluster form with its upward-turned opening, is glazed in cobalt blue. Five large heart-form leaves with detailed relief beading are glazed in celadon. Additional leaves as well as pendant Art Nouveau foliates are glazed in light blue, gold and dark green. Impressed marks as well as workshop marks for Miss B. Harman, circa 1904. 11 1/8" H.

Lovely, undulating Art Nouveau brass photo frame. The fluid design has interlacing strapwork as well as curved elements. An unusual example, European circa 1900. 7 1/4" W., 9 1/2" H; 4" W., 6 1/2" H. photo

An iconic piece of American cocktail culture! The carved wooden stork, with its glass bud vase, was part of the famous New York City, Stork Club's, table setting and held a single rose stem. The club was opened by Sherman Billingsley, a former bootlegger, in 1929 at 132 West 58th Street. The famous nightclub, ultimately moving to 3 East 63rd Street, closed in 1965 and was the place to see and be seen. It was frequented by Frank Sinatra, Lucille Ball and Desi Arnaz, Bing Crosby, Joe Dimaggio and Marilyn Monroe, and the list goes on. The prior collector placed a label beneath, noting that it was acquired from the Stork Club in 1948. 4"W, 7 3/4"H.