Beautifully designed American sterling silver bar tool. Multi-function design includes a jigger with a bottle opener upon its end that removes to reveal a corkscrew housed within. Made by the Blackinton Silver Co., of Massachusetts, circa 1930's. 6 1/8" L.
Completely hammered wine bottle stand. The Vienna Secession-era stand was made in the Frantisek Bibus, known as Franz, workshop in Bohemia (Czechoslovakia) circa 1910. 2 1/4" H., 3 1/2" W.
Victorian wine bottle coasters have beautifully reticulated galleries. Bases are turned wood with a central button. England circa 1880. 2 1/2" H., 5 5/8" W.
Very nice example of this highly collected corkscrew. The celluloid stockings are striped in bright dark green and ivory. Nickel mounts are in the form of high-button boots. Influenced by the "Can-Can" dancers of the 19th century, Moulin Rouge-era Paris. Made in Germany circa 1895. 2 5/8" L. closed, 5 1/4" W. fully open
Lovely, romanticized Art Nouveau wine bottle stand from the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany, circa 1907. Flowing florals rise above a series of six fish as they swim through wave-like Art Nouveau tendrils. Workshop marks beneath. 3" H., 4 3/4" W.
Early Sheffield plate wine bottle coaster has lovely foliates in relief upon the top rim. A turned wooden base within the Georgian-era stand. Circa 1840. 2" H., 7" W.
Fine Art Nouveau wine, or claret, jug made by the WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. A fully cast, detailed figure of a mermaid forms the handle. The mount, with its hinged cover and tall pouring lip, has rambling florals in relief. The large crystal carafe is hand-cut, as well as etched, with complementing high Art Nouveau florals. Signed with WMF marks upon the mount. An extraordinary example of romanticized Art Nouveau by this highly regarded workshop. Illustrated in the firm's well-known 1906 catalogue, page 135. 12" H.
Elegant pair of Georgian-era Sheffield plate wine bottle coasters. Swirling, lobed coasters with applied gadroon-and-shell tops. Turned wooden bases. England circa 1840. 1 7/8" H., 6 1/4" W.
Lovely Art Nouveau silver wine bottle stand. Reticulated, rambling florals adorn the elegant form. Hallmarks for the Wilhelm Binder workshop of Schwabisch Gmund, Germany, circa 1900. Examples of the Binder workshop are represented in the Brohan Museum in Berlin. 2 3/4" H., 4 3/8" W.
Figural wine bottle holder from Brienz, Switzerland circa mid-nineteenth century. The magnificent carved, bearded gentleman lays upon a cart and is contoured to allow a bottle to rest as he holds a twig-form collar and twig-saw to nestle the bottle. The rare holder is assembled with pegs and has working wooden wheels. Early Black Forest carvings of walnut and linden trunks, symbols of luxury and wealth, were featured in international exhibitions in London, Paris and the United States. Carving of a human figure, as well as it unusual form, make the holder an extraordinary example for the collector of wine-related antiques. 11" H., 5 3/4" W., 18 1/2" L.
Nice wild boar tusk corkscrew with naturally mottled gradation of tones. Reticulated sterling silver mount with chased scrolling leaves. Walker Bell feature. American circa 1900. 5 1/2" W., 5 1/2" L.
Nice wild boar tusk corkscrew with naturally mottled gradation of tones. Sterling silver mount has an applied band of leaves in relief. Walker Bell feature. American circa 1900. 6 1/4" w., 5 3/4" L.
A stunning pewter mount with its original gilding adorns the green glass wine decanter. Reticulated berries, foliates and vines are complemented by a hinged top with berries in relief. Made by the Walter Scherf workshop founded in Nuremberg in 1899 and ceased operating in 1914. A fine example from this workshop, who commissioned prominent designers including Friedrich Adler, Peter Behrens and Joseph Maria Olbrich. The range was signed Isis or Osiris as is this beneath. Nuremberg circa 1900-05. 11 3/8" H.
Elegant Victorian, English tall wine bottle coaster stand. The high-hat form has pierced design along with garlands and lion masks in relief. The flaring top is cast with grapes and scrolls. The pattern is by Barker Ellis of Birmingham circa 1880. 4 3/8" H., 7 1/4" W.
Magnificent bottle stand by the WMF (Wurttembergische Metallwarenfabrik) workshop. Three nude sea sirens clasp hands as they encircle the stand among choppy rising waves. A tripod support of lily pads and flowers upholds the stand with pendant grapes festooning above. Workshop marks beneath. Germany circa 1907. 4 1/4" H., 5 1/8" W.
Interlacing, high Art Nouveau rambling vines adorn the wine bottle stand. A central maiden with cascading hair in the manner of Alphonse Mucha is upon two sides of the stunning design. Made by the well-known WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Impressed marks beneath. 3 1/4" H., 4 1/8" W.
Stunning German Art Nouveau wine, or claret, jug made by the well-regarded Wilkens & Sohne silver workshop of Bremen circa 1900. High Art Nouveau detailed whiplash florals dance about the reticulated mount. A hinged cover with naturalistic blossom finial is upon its top, and an undulating handle completes the silver work. The cover is gilded within. A heavy, quality crystal carafe is cut in alternating panels of wave and diamond patterns. Signed with Wilkens mark, as well as 800 Fine Silver stamp. 12" H.
Lovely set-of-six Val St. Lambert wine, or water goblets. The cased glasses are in the famous Belgian workshop's well-known red, or rose color. Each is cut in vertical, elongated ovals, alternating with rising, long-stemmed florettes. Five-sided, tapering stems are geometrically cut. Each of the fine quality, mid-century goblets is 7 3/4" H.