Sweet antique sterling silver and enamel butterfly brooch. The vibrant green enamel work is over a detailed butterfly wing pattern. The enamel is enhanced with luminous red highlights and a central lilac body. Fully hallmarked: John Atkins, Birmingham, 1917. 1 1/4" W., 5/8" H.
Lovely Art Nouveau pendant enameled in lustrous aqua with green highlights. An interlacing silver foliate is in relief upon the enamel work. An enamel medallion rises above the pendant with a complementing suspension below. Hallmarks: Charles Horner, Chester 1911. 2 1/4" L. with suspended enamels
Stunning design, purely Danish in form. Silver cufflinks with a reticulated, stylized floral in a distinct Georg- Jensen-influence design. Made by the well-regarded Eiler & Marloe workshop in Copenhagen circa 1950's. Stamped firm's marks along with 830 fine silver marks. 5/8" W., 7/8" L.
Lovely antique butterfly brooch, the wings lushly enameled in royal blue with a green body. Additional highlights are present in red and green. A detailed, butterfly-wing pattern is found beneath the enamel work. Made by John Atkins & Sons, well-known for their fine silver and enamel jewelry. Fully hallmarked : John Atkins, Birmingham 1915. 1 1/4" x 5/8".
Fine Art Nouveau silver and enamel brooch with two large, heart-shape foliates in lush blue-to-green enamels. The hearts are surrounded by additional stylized foliates in relief. The firm, founded by Ernest Murrle of Pforzheim and J.B. Bennett of London, was active 1896-1914, creating Art Nouveau and Arts & Crafts design jewelry. The works were often sold by Liberty & Co. in London at turn-of-the-century. Signed with the workshop's MBCo logo along with silver mark. Made in Pforzheim circa 1900. 3/4" W., 1 5/8" L., 2 7/8" L. with pin.
Antique cufflinks have a detailed railroad coal car in relief. Each is mounted with a rose-cut diamond. The early bean-back design cufflinks test 12K; American circa 1910. 5/16" W., 5/8" L.
Lovely Art Nouveau pendant from the famous Charles Horner workshop in sterling silver and enamel. An oval enamel in lustrous cobalt and turquois is surrounded by reticulated foliates. Three round enamels as well as a suspended drop, all in purples, further enhance the elegant Art Nouveau design. 1 1/2" L. Signed with Charles Horner's well-known, intertwined CH registered trademark; Chester circa 1915. A similar pendant is pictured in "Charles Horner of Halifax," by Lawson.
Lustrously enameled sterling silver in vibrant blues, an oval medallion is surrounded by a curving reticulated Art Nouveau design. A pendant drop further enhances the lovely design. A similar pendant is pictured in "Charles Horner of Halifax," page 87. Hallmarks: Charles Horner, Chester 1911. 1 1/2" L.
Tastefully designed Scandinavian Mid-Century silver cufflinks. A geometric scallop design is in relief upon the top of each. Made in Denmark by the Bernhard Hertz workshop, with their stamp upon each along with 830 fine silver marks; circa 1960. 1/2" W., 3/4" L.
Beautifully stylized Mid-Century Modern cufflinks. The sterling silver cufflinks are gilded upon the tops. Made in Copenhagen by the Hermann Siersbol workshop circa 1950's. 7/8" W., 7/8" L.
Blossom- and-leaf design silver cufflinks from the N.E. From (Niels Erik) workshop in Denmark circa 1940's. Lovely design and quality. Mark for 830 Fine Silver along with workshop mark. 1/2" W., 7/8" L.
Quatrefoil-form silver gilt cufflinks with incised design. Made in Norway by the Albert Scharwing silver workshop circa 1940's. Workshop marks as well as 835 fine silver marks upon each. 5/8" W., 7/8" L.
Engine turned geometric Art Deco cufflinks. Hallmarks for 9K gold, Birmingham 1938. 3/8" W., 5/8" L.
The oval form is set with complementing oval lapis cabuchons. 9K gold, made in London circa 1922. 3/8" W., 3/4" L.