Very good example of a Christopher Dresser-influence pitcher or jug. The 19th-century Modernist form has a wide collar with pour spout. Triple-strap handle was blown and applied. A star-cut base completes the stunning design. Hallmarked Birmingham 1888 along with sovereign's head (duty mark) and maker mark. Ideal size for a bar or water jug. 7 1/2" H.
Rich green jade Steuben vase with an applied alabaster glass foot. The lobed form has twelve fluted elements. Beautiful example of Frederick Carder's design #7331 as illustrated on page 293 in "the Glass of Frederick Carder." 9 1/4" H.
Very heavy, thick-walled cut-crystal decanter set made by the famous Val St. Lambert workshop in Belgium circa 1930's. Designed by Charles Graffart, the decanter is cut in four horizontal rows with ten cut panels upon each. Cut from deep violet-red to clear. A geometric stopper rests within. Eight complementing original glasses accompany the decanter. 9 1/4" H.; 2 3/4" H. each glass
Unusual footed spherical form decanter with an applied handle. The geometric black enamels are comprised of squares with cut circles along with cross-hatch patterns. Stylized Modernist foliates enhance the Art Deco decanter. A bold round stopper with complementing enamel work rests within an undulating neck with pouring lip. Czechoslovakia circa 1930. 8 3/4" H., 7" W. to handle
Fine silver overlay upon a lustrous golden Loetz glass vase. Art Nouveau chased flowers and undulating vines encircle the shimmering form with its rainbow iridescence. Marks for the La Pierre silver workshop of New York and Newark, N.J., circa 1900. 2 1/2" H., 3" W.
Soft lemon-yellow pastel L.C. Tiffany floriform vase with an onion-skin stretch, undulating rim. Opalescent and pearl-white ribbing highlight the form, which is supported by a footed base with an opal-white edge. Signed with number 1882, L.C. Tiffany Favrile; circa 1905. 8 7/8" H., 3" W.
L.C. Tiffany glass aqua footed bowl with radiating white foliate rib patterns. Flaring top has onion- skin-stretch effect. Supported by an opalescent stem and foot with an opal white edge. Retains original paper label upon pontil. Signed number 1700, L.C.T. Favrile; circa 1905. 3 1/4" H., 5 3/8" W.
Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.
Steuben Optic Swirl Vase in Green Jade glass. The form is Frederick Carder's original design #6031, as illustrated in "The Glass of Frederick Carder," by Gardner, page 277. 6 3/4" H., 6 1/2" W.
Art Deco Daum Nancy smoky topaz vase. Alternating textured acid-etched and polished geometric panels. Signed Daum Nancy with the Croix de Lorraine. France, circa 1930. 9 7/8" H. 5 1/2" W.
Tall L.C. Tiffany golden Favrile glass chalice-form vase. Domed base with its inverted under-rim supports a tall stem and knop. The vase's wide, pinched top completes the stunning example. Golden iridescent glass has shimmering silvery blue and violet highlights. Signed "L.C.T. 9777." 11 3/4" H., 5 3/4" W.
Richly opalescent aqua floriform-top pastel goblet with contrasting white veining. A tall, ribbed stem is supported by a ribbed, undulating base. Signed L.C.T. Favrile; circa 1905. 8 5/8" H., 3 5/8" W.
Steuben Green Jade glass water pitcher in an optic swirl pattern. A contrasting Alabaster glass handle is upon the side. Frederick Carder design number 6232 as illustrated in "The Glass of Frederick Carder," page 214. Circa 1920's. Signed with Fleur de Lys mark beneath. 9 1/4" H., 6 3/4" W.
Fine silver overlay upon a golden, iridescent Loetz glass vase with violet highlights. Hand-chased Art Nouveau florals and interlacing vines adorn the form with its pinched neck and flared opening. Marks for the La Pierre silver workshop in New York and Newark, N.J. circa 1900. 4 5/8" H.
Golden iridescent L.C. Tiffany favrile glass vase. Organic form with open handles. Lustrous highlights in violet and metallic green tones. Signed "L.C.T. Y3468", circa 1905. 2 3/4" H.
Steuben ribbed compote with Gold Aurene on Calcite. Iridescent violet-rose tones and silvery blues highlight the Aurene. A Calcite foot and stem support the form. Frederick Carder's design number 2760 as illustrated in "The Glass of Frederick Carder," by Gardner, page 172. Circa 1920. 2 3/4" H., 6" W.
Lovely Art Nouveau silver overlay vase. Cased, burnt-orange over white glass with robust silver flowers and vines, all finely hand-chased. Made in Bohemia circa 1905. 6 1/8" H.
Lovely golden yellow- and sienna-tone cameo glass chandelier made by the well-known Degue (David Gueron) workshop in France circa 1925. Rambling foliate ironwork complements the naturalistic design. 24" W., 28" H. Chain suspension is adjustable.