Frederick Carder's scarce Steuben Selenium Red vase in optic swirl pattern. The vibrant vase is Carder's original design #6031 as seen in "The Glass of Frederick Carder," by Gardner, page 277. Circa 1920. 7" H.
British glass "cock"-tail shaker with an etched rooster, or cockerel upon its side. The silvered cap and strainer section has gadroon-detail edging. Made in Sheffield by James Dixon & Sons circa 1925. 8 1/4" H. *** Long established as a leading specialist in finest quality period Art Deco era cocktail shakers - From classic to figural forms - Over 75 examples in our stock at all times - Many not listed on our site ***
Prohibition-era glass dumbbell cocktail shaker in cobalt blue. A silvered cap and strainer are mounted upon its top. These highly collected glass dumbbells were created in clear glass as well as in a variety of colors. Cobalt blue is among the most desirable for collectors of these whimsical, figural forms. American circa 1930's. 13" L. *** Long established as a leading specialist in finest quality period Art Deco era cocktail shakers - From classic to figural forms - Over 75 examples in our stock at all times - Many not listed on our site ***
Frederick Carder-era set-of-four Steuben cocktail glasses in the desirable, twist-stem form. The drinking glass, as well as foot, are in Amber, with stems in Celeste Blue. Carder's original drawing for this design number 7160 as illustrated in "The Glass of Frederick Carder," page 195. 5 3/8" H.
Steuben optic swirl vase in Pomona Green glass. The gently flaring form is Frederick Carder's original design number 6030 as illustrated on page 277 in "The Glass of Frederick Carder," by Gardner, circa 1920. 7 1/8" H., 7 1/8" W.
Traditional form with ribbed glass is cut into eight sections. Sterling silver mount is recessed to hold matches. Hallmarks: F & Co., Ltd., London 1924. 3" H.
Fine, heavy quality Swedish decanter. The front has an intricately etched galloping horse. Engraved A1 beneath, as often seen on Orrefors glass. Circa 1960. 8 1/2" H.
Sterling silver tray has a golf club perched upon its top. Bottom of the tray is glass. Hallmarks for Birmingham 1905. 1 1/8" H., 2 7/8" W.
Lovely pair of Frederick Carder Steuben candlesticks in the highly collected twist-stem form. The stunning Pomona Green candlesticks are Carder's original design #686 as illustrated in "The Glass of Frederick Carder," page 160. Circa 1920's. 10" H.
Extraordinary pair of Steuben Frederick Carder-era candlesticks. The Celeste Blue glass has an optic quilted pattern on the round bases as well as the candle cups. Flaring bobeches have applied reeding in yellow, a rare combination with Celeste Blue. Each is signed with Steuben acid stamp mark upon the base, circa 1920. 6" H.
Stunning Frederick Carder design in Ivory and Mirror Black glass. The vase, with its lobed and fluted form, rises upon a footed support. Carder's design #7331 as illustrated on page 93 in "The Glass of Frederick Carder," by Gardner; circa 1920's. 8 5/8" H.
Elegant cranberry silver overlay perfume bottle with chased silver overlay work. The interlacing and scrolling silver, along with a cartouche are upon a bulbous-form flacon. The collar is completely covered in silver, and a large, round stopper with complementing overlay completes the Art Nouveau design. Stamped sterling. American circa 1900. 5 3/4" H.
Tall, footed perfume bottle with a guilloche enamel and sterling silver stopper. The stopper retains its long dauber and the sky-blue enamel work has a lovely engine-turned pattern. the crystal is hand-cut with rambling flowers and vines. American circa 1925. 5 7/8" H.
Elegant cut-crystal, footed perfume bottle with guilloche enamel stopper which retains its dauber. Lush aqua enamel has a florette- and engine-turned pattern. A delicate engraved flower-and-leaf pattern in silver encircles the enamel top. Hand-cut flowers complete the bulbous crystal form. American circa 1925. 5 1/2" H.
Elegant, thick-walled, French opaline glass box. The rectangular form has bevel-cut edging. A gilded mount with floral-relief detail enhances the box, and a bow-shape clasp completes the design. France circa 1920. 3 1/8" H., 3 1/2" W., 5 1/4" L.
Lovely set-of-six Val St. Lambert wine, or water goblets. The cased glasses are in the famous Belgian workshop's well-known red, or rose color. Each is cut in vertical, elongated ovals, alternating with rising, long-stemmed florettes. Five-sided, tapering stems are geometrically cut. Each of the fine quality, mid-century goblets is 7 3/4" H.
Unusual glass cocktail shaker with engraved liquid measures upon the surface. Upon the right side are increments for up to 20 ounces, and on the left, up to one pint. Silvered mounts with gadroon edging bear marks for the well-known James Dixon & Son of Sheffield, circa 1930's. 8 3/4" H. *** Long established as a leading specialist in finest quality period Art Deco era cocktail shakers - From classic to figural forms - Over 75 examples in our stock at all times - Many not listed on our site ***
Fine in both quality and design. The tall, hand-hammered Chinese export silver shot glass has a detailed, hand-chased dragon applique that wraps about the circumference. A vacant medallion applique further enhances the design. Made by the Wing On silver workshop of Hong Kong circa 1920. 2 1/8" H.
Fine example of an early Sabino Art Deco vase in the "Les Aras" pattern. The golden amber glass depicts molded macaws perched among circular Art Deco patterns. Illustrated in the 'Catalogue Raisonne' of Sabino. Made in France circa 1927. Intaglio signature Sabino Paris upon base. 8 1/4" H.
Rich cobalt blue Imperial Glass vase decorated within with lead lustre. Vibrant contrast of the iridescent copper orange against blue on the classic form is stunning. Made in Ohio circa 1920's. 6 3/8" H.
Steuben Cluthra glass vase in apple green. Nice example with a gradation of color as well as radiating bubbles. Green becomes more intense at edge of bubbles. Frederick Carder's classic form number 2683 as illustrated in "The Glass of Frederick Carder," page 268. Circa 1920's. 8 1/4" H., 7 1/2" W.
Steuben compote, or footed bowl, in Blue Aurene on Calcite glass. The flaring form has lustrous blue iridescence. A variation of Frederick Carder's design number 8393 as illustrated on page 177 in "The Glass of Frederick Carder," by Gardner; circa 1920's. 2 7/8" H., 6" W.
Steuben Cluthra glass in the form of a goblet. The Art Deco example, with its hexagonal top, is shaded from Gold Ruby to white with internal bubbles. The footed glass is Frederick Carder's design number 6909, as illustrated in "The Glass of Frederick Carder," page 194; circa 1920's. 6 1/2" H.
Sterling silver tyg tri- handle-form shot glass. The traditional English design is fully hallmarked: Adie Bros.; Birmingham 1926. 1 3/4" H., 1 1/2" W., 1 3/4" W. to handles
Steuben candlesticks with wide bases in Pomona Green are an optic swirl pattern. The broadly flaring tops are optic ribbed and in Amber glass. A stunning color combination in Frederick Carder's original design number 3581, circa 1920. A drawing for this form is illustrated on page 162 in "The Glass of Frederick Carder," by Gardner. 5 7/8" H.
Steuben Art Deco-era Martini goblet designed by Frederick Carder circa 1920. The fine example is in Rosaline glass with a twist-stem and foot in Alabaster glass. Carder's original design number 760 for this form is illustrated on page 195 in "The Glass of Frederick Carder." 5 1/2" H.
Nice example of a Frederick Carder-designed Steuben sherbet complete with it's underplate. The Gold Aurene example has lustrous highlights in silvery blue, aqua and violet. Signed beneath each piece, "Aurene" along with the Carder design number 2680; circa 1920. 6 1/8" W. plate; 4" H. with sherbet
Lovely cut blue glass large box with silvered top. The cover has a Modernist wave-form finial handle. Glass is cut with floral as well as Art Deco designs. Signed beneath cover with marks for the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1920's. 4 1/2" D., 8 1/4" L., 4" H.
Edwardian-era hexagonal-form decanter. Elaborately cut with florettes and oval elements. Tall oval stopper has complementing cut accents. Ideal for whisky or liquors. England circa 1910. 8 1/2" H.
Very good example of a Christopher Dresser-influence pitcher or jug. The 19th-century Modernist form has a wide collar with pour spout. Triple-strap handle was blown and applied. A star-cut base completes the stunning design. Hallmarked Birmingham 1888 along with sovereign's head (duty mark) and maker mark. Ideal size for a bar or water jug. 7 1/2" H.
Rich green jade Steuben vase with an applied alabaster glass foot. The lobed form has twelve fluted elements. Beautiful example of Frederick Carder's design #7331 as illustrated on page 93 in "the Glass of Frederick Carder." 9 1/4" H.
Very heavy, thick-walled cut-crystal decanter set made by the famous Val St. Lambert workshop in Belgium circa 1930's. Designed by Charles Graffart, the decanter is cut in four horizontal rows with ten cut panels upon each. Cut from deep violet-red to clear. A geometric stopper rests within. Eight complementing original glasses accompany the decanter. 9 1/4" H.; 2 3/4" H. each glass
Unusual footed spherical form decanter with an applied handle. The geometric black enamels are comprised of squares with cut circles along with cross-hatch patterns. Stylized Modernist foliates enhance the Art Deco decanter. A bold round stopper with complementing enamel work rests within an undulating neck with pouring lip. Czechoslovakia circa 1930. 8 3/4" H., 7" W. to handle
Fine silver overlay upon a lustrous golden Loetz glass vase. Art Nouveau chased flowers and undulating vines encircle the shimmering form with its rainbow iridescence. Marks for the La Pierre silver workshop of New York and Newark, N.J., circa 1900. 2 1/2" H., 3" W.
Soft lemon-yellow pastel L.C. Tiffany floriform vase with an onion-skin stretch, undulating rim. Opalescent and pearl-white ribbing highlight the form, which is supported by a footed base with an opal-white edge. Signed with number 1882, L.C. Tiffany Favrile; circa 1905. 8 7/8" H., 3" W.
L.C. Tiffany glass aqua footed bowl with radiating white foliate rib patterns. Flaring top has onion- skin-stretch effect. Supported by an opalescent stem and foot with an opal white edge. Retains original paper label upon pontil. Signed number 1700, L.C.T. Favrile; circa 1905. 3 1/4" H., 5 3/8" W.
Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.
Steuben Optic Swirl Vase in Green Jade glass. The form is Frederick Carder's original design #6031, as illustrated in "The Glass of Frederick Carder," by Gardner, page 277. 6 3/4" H., 6 1/2" W.
Art Deco Daum Nancy smoky topaz vase. Alternating textured acid-etched and polished geometric panels. Signed Daum Nancy with the Croix de Lorraine. France, circa 1930. 9 7/8" H. 5 1/2" W.
Tall L.C. Tiffany golden Favrile glass chalice-form vase. Domed base with its inverted under-rim supports a tall stem and knop. The vase's wide, pinched top completes the stunning example. Golden iridescent glass has shimmering silvery blue and violet highlights. Signed "L.C.T. 9777." 11 3/4" H., 5 3/4" W.
Richly opalescent aqua floriform-top pastel goblet with contrasting white veining. A tall, ribbed stem is supported by a ribbed, undulating base. Signed L.C.T. Favrile; circa 1905. 8 5/8" H., 3 5/8" W.
Steuben Green Jade glass water pitcher in an optic swirl pattern. A contrasting Alabaster glass handle is upon the side. Frederick Carder design number 6232 as illustrated in "The Glass of Frederick Carder," page 214. Circa 1920's. Signed with Fleur de Lys mark beneath. 9 1/4" H., 6 3/4" W.
Fine silver overlay upon a golden, iridescent Loetz glass vase with violet highlights. Hand-chased Art Nouveau florals and interlacing vines adorn the form with its pinched neck and flared opening. Marks for the La Pierre silver workshop in New York and Newark, N.J. circa 1900. 4 5/8" H.
Golden iridescent L.C. Tiffany favrile glass vase. Organic form with open handles. Lustrous highlights in violet and metallic green tones. Signed "L.C.T. Y3468", circa 1905. 2 3/4" H.
Steuben ribbed compote with Gold Aurene on Calcite. Iridescent violet-rose tones and silvery blues highlight the Aurene. A Calcite foot and stem support the form. Frederick Carder's design number 2760 as illustrated in "The Glass of Frederick Carder," by Gardner, page 172. Circa 1920. 2 3/4" H., 6" W.
Lovely Art Nouveau silver overlay vase. Cased, burnt-orange over white glass with robust silver flowers and vines, all finely hand-chased. Made in Bohemia circa 1905. 6 1/8" H.
Lovely golden yellow- and sienna-tone cameo glass chandelier made by the well-known Degue (David Gueron) workshop in France circa 1925. Rambling foliate ironwork complements the naturalistic design. 24" W., 28" H. Chain suspension is adjustable.
Tiffany glass pastel bowl with a deep fuschia pink onion-skin stretch rim. The lustrous iridescent form has softer rose-tone radiating panels coming up from its base. Ground pontil retains remnants of original Tiffany paper label. Signed: L.C. Tiffany-Favrile along with number 1898. Circa 1905. 2 3/4" H., 8 1/2" W.
Beautifully stylized Art Deco vase. Black enamelled foliate designs are acid-etched along with hand-cut detail. Metallic enamel accents further enhance the bold, octagonal form with its geometric molded base. Made in Czechoslovakia circa 1925. 9 3/4" H., 7 1/8" W.
Green Jade vase in an optic rib pattern. Steuben's bulbous form with flared opening is Frederick Carder's original design number 2533. An example is pictured in another color in "Frederick Carder and Steuben Glass," by Dimitroff, page 210. 5" H.
Optic Rib Gold Aurene Steuben vase. The vase, with its bulbous bottom and flared opening, is Frederick Carder's original design number 2533. Circa 1920's. An example in another color is pictured on page 210 of "Frederick Carder and Steuben Glass," by Dimitroff. 5" H.
Tall emerald green silver overlay vase. The ribbed glass form with gently flared opening has abundant scrolling overlay foliates with hand-chased details. American circa 1900. 10 1/4" H.
Large example of an L.C. Tiffany Favrile decorated center bowl with its original two-tier flower frog. The rolled rim form is decorated with green lily pads and trailing vines upon the golden multi-hued iridescent glass. Both the bowl and looped frog are each signed "L.C. Tiffany Favrile," along with "4028K," circa 1916. 14" W.
Ikora Kristall vase made by WMF (Wurttembergische Metallwarenfabrik) under the direction of Karl Wiedmann in Germany circa 1939. Widely flaring trumpet form internally decorated in brilliant red at the rim. Bulbous bottom in deep teal green with radiating bubbles against a red background. The form is pictured on page 152 in "WMF Ikora and Myra Glaser Glass." 4 1/8" W., 3 7/8" H.
Amethyst glass Steuben bowl in optic rib pattern. The widely flaring form is supported by footed rising base. Frederick Carder era, circa 1920. 9 5/8" W., 4 3/4" H.
Intense teal green large bowl with radiating webbed effect golden ribbon patterns. Ikora-Kristall was made by WMF (Wurttembergische Metallwarenfabrik)in Germany under the direction of Karl Wiedmann. The thick-walled, widely flaring form with the upturned rim is pictured in "WMF Ikora & Myra Glass," page 140. Made circa 1935. Dimensions: 3" H., 13" W.
Steuben Green Jade glass vase with applied Alabaster glass foot. The tall optic swirl pattern has a hexagonal Art Deco opening. Frederick Carder's original design number 6241 as illustrated in "The Glass of Frederick Carder," by Gardner. 10 1/8" H.
Ikora Kristall bowl made by WMF (Wurttembergische Metallwarenfabrik) under the direction of Karl Wiedmann. The interally decorated thick-walled vibrant blue bowl has radiating webbed patterns in rose tones with speckled butterscotch highlights. Similar examples are pictured in "WMF Ikora & Myra Glass," pages 117 and 132. Made circa 1928-31. Dimensions: 2 5/8" H., 6 3/8" W.
Steuben ivory glass vase in Frederick Carder's classic form #2683. Original design illustrated on page 268 in "The Glass of Frederick Carder." Stunningly effective form and design for practical use. Circa 1920's. Dimensions: 10" H, 9" W.
Beautiful Delatte Nancy Cameo Glass Vase with dancing women in cameo relief. Two figures sashaying with veils in Isadora Duncan fashion while one caresses a lyre. Red brown over an orange ground. Signed Delatte in cameo on the frosted background, will not show up in photos. France circa 1925. Dimensions: 9 3/4" H, 4" W.