Extraordinary pair of lively Austrian bronze dogs. One canine stands upon its hind legs as it holds a lariat with its paws. The other standing dog holds a long-stemmed flower. Although lacking some petals, the flower rotates upon its stem. Each of the detailed figures has nuanced patination of the detailed fur. Fine examples for the collector of unusual Austrian bronze animals. Circa 1910. 3 1/4" H., 2 1/8" W. lariat dog; 3 1/8" H., 4 3/8" W. flower dog
Finely cast bronze entitled "Le Travail," by Maurice Joseph Constant, France 1892-1970. The bronze depicts a youthful man with a hammer and anvil along with calipers. The figure is clad in a fur, belted loin cover. Signed upon top of base M. Constant. Original plaque upon the front: Le Travail, Par Mce. Constant (Mention au Salon). Deep golden olive patina; France circa 1910. 7 1/2" H.
Lighthearted bronzes depicting a young girl and boy ice skating, by Franz Iffland (Berlin 1862-1935). The girl, in her fur-trimmed cape, has her hands in a muff; the boy in fur-trimmed cape, holds a cupid-like feathered arrow with bow. Iffland, a member of the Berliner Bildhauerschule, was active 1885-1915. He became most well-known for his sculptures of young children and women. The richly patinated skaters stand upon tall, dark green marble bases. Each signed F. Iffland; Germany circa 1900. 10 1/4"-10 1/2" H. each
Carved wooden bust of an African woman with contrasting, ebonized hair. A patinated brass necklace adorns the neck, and the bust rests upon a round brass base. Fashioned in the Modernist form for which Hagenauer is most well-known. Stamped beneath: Hagenauer Wien, Handmade, with Made in Austria, along with workshop mark; Austria circa 1945-50. 4 1/4" H., 2 3/4" W.
Beautifully detailed bronze of girl pouring a jug by the sculptor Rudolph Kaesbach (Germany 1873-1955). The girl, with a rich, deep golden patina, has long, wavy hair adorned with ribbon bows. The bronze stands upon a variegated grey, beige and brown marble base. Signed R. Kaesbach; Germany circa 1910. 10 7/8" H.
The Bronze Flute Player depicts a boy wearing a plumed and tasseled hat playing his instrument. He is further adorned with a fur vest and a leather pouch. Patinated in rich brown tones with golden highlights. Signed E. Barillot (Eugene Barillot, France 1841-1900). The sculptor, who trained at the Berlin Academy, was active 1870-1900. The bronze stands upon a two-part plinth of variegated grey, black and gold marble. France circa 1890. 8 3/8" H.
An energetic Bacchic putto and goat frolic upon a naturalistic, rocky ground. The ground is further enhanced with clusters of ivy and grapes along with florals as well as a ribboned staff. The finely detailed multi-cast group, in the manner of Clodion and August Moreau, is patinated in rich brown with deep golden tones on the putto. All rest on a variegated red marble demilune base. France circa 1880. 8 7/8" W., 8 3/4" H., 5 1/8" D.
Beautifully cast, richly patinated Vienna bronze bear. The bear sits upright as it licks its paw. Mounted upon a variegated beige, gray and ivory-tone marble geometric ashtray. Austria circa 1920. 2 1/8" W., 3 1/2" H. bear; 4" W., 6" L. tray
English bronze door knocker with cold-painted detail in the form of Tom Chrudd, known as Old Boots. This knocker depicts the famous "boot boy" from the 18th-century Unicorn Inn of Ripon in Yorkshire, carrying a boot jack and a pair of slippers. He had a nose and chin so long that he was able to hold a coin between them. He was tipped for his service, upon which he grasped the coin in that fashion. England circa 1890. 4" L.
High Art Nouveau bronze letter opener. Beautifully cast, interlacing vines and flowers adorn the elegant opener. An Art Nouveau maiden with cascading hair is upon the top. France circa 1900. 8 3/4" L.
Whimsical Hagenauer bronze rabbit sculpture, or seal. Stylized, energetic, Modernist form. A fine example for the collector of the best of this famous workshop's animal forms. Signed "Made in Austria" along with workshop marks circa 1928. Photo of a similar example is pictured in "Werkstatte Karl Hagenauer Wien VII," an early catalogue, page 1. 2 3/8" H.
Art Deco pottery group of a nymph and faun from the Marcel Guillard (1896-1932) ceramic workshop. Sculpted by G. Debloize. The draped nymph and resting faun have a cream crackle glaze and rest upon a mottled gray base. Artist and ceramist marks are impressed beneath the pottery base. France circa 1925. 11 1/4" H., 10" W.
Beautifully detailed, patinated metal figure of a hurdler by the famous Art- Deco-era sculptor, Demetre Chiparus (born 1886 in Romania, died 1947 in France). The figure, with outstretched arms, jumps above as he clears the hurdle beneath. Signed D.H. Chiparus upon the naturalistic ground, with foundry seal upon back edge. The figure rests on a variegated back and white marble base. France circa 1930. 11 1/2" W., 6 3/4" D., 18 1/2" H.
Beautifully stylized bronze cat from the famous Hagenauer workshop of Vienna, Austria. Among the highly collected, small, expressive animals this design studio was known for. Signed beneath Made in Austria along with workshop marks; circa 1930. 1 1/2" H., 2 1/2" L.
Bronze sword-form letter opener created to commemorate the coronation of Queen Elizabeth II in 1953. One side of the hilt depicts floral symbols: thistle, Scotland; shamrock, Ireland; daffodil, Wales; rose, England. The reverse has symbols of the Commonwealth: kiwi, New Zealand; beaver, Canada; kangaroo, Australia; springbok, S. Africa. Has relief insignia ERII, Elizabeth Regina II. Hallmarks: Harry Atkin of Sheffield in 1953. 8 1/2" L.
Tiffany patinated bronze Zodiac-pattern bookends. The pair depicts the twelve signs of the zodiac in relief. Impressed marks upon each. Tiffany Studios, New York 1091. Circa 1905. A similar pair illustrated in "Tiffany Desk Sets," by Holland, page 36. 6" H., 5" W.
Figural wine bottle holder from Brienz, Switzerland circa mid-nineteenth century. The magnificent carved, bearded gentleman lays upon a cart and is contoured to allow a bottle to rest as he holds a twig-form collar and twig-saw to nestle the bottle. The rare holder is assembled with pegs and has working wooden wheels. Early Black Forest carvings of walnut and linden trunks, symbols of luxury and wealth, were featured in international exhibitions in London, Paris and the United States. Carving of a human figure, as well as it unusual form, make the holder an extraordinary example for the collector of wine-related antiques. 11" H., 5 3/4" W., 18 1/2" L.
Charming narrative bronze. A young boy in a waistcoat and cap lights a lantern. He carries a jug and flask. Patina has golden highlights. Figure stands upon a variegated marble base. Germany circa 1900. 4 1/2" H.
Lovely carved oak 18th-century panels from a church in Lincolnshire, England in the East Midlands. Each panel depicts a deeply carved face with head drapery above carved, curving foliates. 3" W., 10 1/2" H. each
Lovely gilded bronze quatrefoil-form jewel box. Bead-edge top has a detailed pattern. Applied florals in relief, along with a silvered and gilded figure group, further enhance the cover. Sides have acanthus designs. Velvet lined. France circa 1900. 1 1/2" H., 2 3/4" W., 4 1/4" L.
Rectangular gilt bronze Empire design frame accommodates two photos. Borders have fine foliate detail. Moire background is enhanced with ribbon-and-wreath appliques and an undulating bow is mounted upon the top. A loop at the back for wall mounting. France circa 1900. 5" H., 7 3/4" L.; 2 3/8" round each photo
Bronze boy grasping an apple. Sweetly sculpted with a scarf about his neck and wearing a knit cap. Olive-brown patina with a contrasting gold patina upon the face and hand. Signed A. Titze upon the reverse. The artist was active in Vienna from 1900-1920 creating detailed figures of harlequins, animals and children. The bronze stands upon a variegated caramel-tone marble base. 6 1/4" H.
Sweet bronze sculpture of a Dutch boy holding a pipe. Nicely cast with a rich olive-brown patina. Signed "Kek," also known as Keck. Hans Keck sculpted figures of children and was active 1900-'25. Bronze stands upon a black onyx base. Germany circa 1910. 5 3/8" H.
Tiffany Studios gilded bronze Zodiac pattern pen tray. The versatile form tray depicts signs of the zodiac in detailed relief. Impressed marks upon the base; Tiffany Studios, New York, 1000. Circa 1905. An example illustrated in "Tiffany Desk Sets," by Holland, page 29. 10" L., 3 1/4" W.
Gilt bronze frame with scrolling openwork foliate borders. Burnished highlights enhance the elegant design. France circa 1900. 4 1/2" W., 6: H.; 3 7/8" W., 5 3/8" H. photo
Stunning antique gilded bronze frame in the Empire style. A cornice with foliate detail supported by twist pillars floats in front of the frame. Turned finials are upon the base as well as top corners. A finely cast ribbon and wreath are mounted on the top. France circa 1900. 6" W., 9 1/4" H.; 3 7/8" W., 5 3/8" H. photo
Gilded bronze French- Empire-design frame with a detailed, cast Napoleonic eagle perched upon its top. Lovely, cascading floral appliques adorn its silk liner. A relief pattern of heart-shape foliates at the frame's borders completes the design. France circa 1890. Beautifully re-backed in suede. 5 1/2" W., 8 1/2" H.; 3 1/2" W., 4 3/4" H. photo
Bronze of a 16th-century gentleman holding two geese. Charming depiction of the well-known bronze sculpture by Hans Peisser, titled "Gaensemaennchenbrunnen" ("The Goose Man's Fountain"). The original sculpture, cast in 1550, is located in the Nuremberg Town Hall square in the old town. The depiction portrays the tale of the geese being carried to market, and as they loudly protested, the gentleman took pity upon them and swiftly returned them to their home. This detailed casting rests upon a variegated green marble base and bears the original retailer's label beneath, G.G. Leykauf. Nuremberg circa 1910. 6 1/4" H.
French Empire-design, gilded bronze photo frame with acanthus-leaf borders. Top is mounted with a ribbon and wreath. Oval opening with its textured gilding can be removed to convert frame into a rectangular form. France circa 1900. 5 1/4" W., 7 1/4" H.; 3" W., 3 7/8" H. oval photo; 4 3/4" W., 5 1/2" H. rectangle photo
Bronze bottle opener mounted with a cast figural swan. The form is a fine example made by Richard Rohac (1906-1956) in Austria circa 1950. Rohac trained with Hagenauer prior to establishing his own metal workshop in 1932. He was well-known for creating stylized, Modernist figures of animals as well as other decorative sculpture. Signed beneath with the artist's backward/forward double "R" mark. 1 3/4" H., 3" L.
Large Art Deco figure group of Diana the Huntress, by J. Dauvergne. A kneeling Diana holds a spear as two leaping ibex run forward. The figures are upon an elaborate, variegated, cream-and-caramel onyx base with green onyx insets. Geometric marble forms further enhance the bold Art Deco design. Diana, with a patterned drape about her shoulder, is patinated in silver and gold; the ibex in aubergine. Signed upon the base, J. Dauvergne. France circa 1925. 21" H., 33 1/2" L., 7 1/8" D.
Sweet Art Nouveau bronze letter opener. A young boy in detailed relief with his heels upward, contemplates a rabbit among grasses. Open, curved handle. Made in France circa 1900. 8 1/2" L.
Gilded bronze letter opener with detailed Art Nouveau florals in relief upon both sides of the opener. Fine functional size and form for use. Artist signed, A. Cladoux. France circa 1900. 5 5/8" L.
Lovely bronze hand mirror with reticulated Art Nouveau florals. Detailed cast blossoms and leaves surround an oval-form mirror. France circa 1900. 7 1/2" W., 13 1/2" L.
Fine cast bronze of a boy holding an early carved flute-like instrument known as a chalumeau. The figure with wavy hair wears a jacket, hat and fur-lined shoes. A basket of fruits rests behind. Signed upon the squared base, Duchoiselle. The sculptor, active in France in the nineteenth century, created a highly regarded pair of bronzes depicting Native American Indians in canoes. France, circa 1880. 24" H., 7" W., 6" D.
Exquisitely cast gilded bronze urn by the famous Barbedienne Foundry in France circa 1900. Detailed relief floral clusters are found upon the top. Additional stylized Art Nouveau flower forms enhance the circumference as well as the sides of the form with its variegated marble base. Signed F. Barbedienne, Paris. 8 3/8" H.