Decanter extensively overlaid with abundant silver flowers upon a florette-and-lattice surround. The unusual and elegant bulbous form with tapering base has a curving handle completely covered in silver. An undulating neck with pouring lip holds a tall, tear- drop-form stopper with additional overlay flowers. Silver has detailed, hand-chased work. Marks for the Alvin workshop of Rhode Island, circa 1900. 10 1/4" H.
Soft lemon-yellow pastel L.C. Tiffany floriform vase with an onion-skin stretch, undulating rim. Opalescent and pearl-white ribbing highlight the form, which is supported by a footed base with an opal-white edge. Signed with number 1882, L.C. Tiffany Favrile; circa 1905. 8 7/8" H., 3" W.
L.C. Tiffany glass aqua footed bowl with radiating white foliate rib patterns. Flaring top has onion- skin-stretch effect. Supported by an opalescent stem and foot with an opal white edge. Retains original paper label upon pontil. Signed number 1700, L.C.T. Favrile; circa 1905. 3 1/4" H., 5 3/8" W.
Lovely Art Nouveau pendant from the famous Charles Horner workshop in sterling silver and enamel. An oval enamel in lustrous cobalt and turquois is surrounded by reticulated foliates. Three round enamels as well as a suspended drop, all in purples, further enhance the elegant Art Nouveau design. 1 1/2" L. Signed with Charles Horner's well-known, intertwined CH registered trademark; Chester circa 1915. A similar pendant is pictured in "Charles Horner of Halifax," by Lawson.
Reticulated design typifies the fluidity of Art Nouveau with rambling, interlacing florals and vines. Top circumference is highlighted with open flower heads. Four footed florettes support the elegant bottle stand. Made by WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1907. Firm's makrs beneath.4 3/4" W., 4 1/8" H.
Stunning design! A robust wide band of foliates in high relief encircles the wine, or Champagne cooler. Curving handles with scroll elements further enhance the elegant form. Made by the Orivit workshop, well-known for fine Art Nouveau design in Cologne, Germany circa 1910. 9 1/4" H., 11 1/2" W. to handles
Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.
Large Art Nouveau figural mirror. A lovely Alphonse Mucha-inspired maiden forms the mirror's stand. She gazes upward into her own boudoir mirror as her sweeping gown forms a tray beneath. The stunning high Art Nouveau design retains its original double-bevel curving mirror. A detailed cast bird in flight completes the polished pewter form. Germany circa 1900. 14"W., 18 1/2" H.
WMF (Wurttembergische Metallwarenfabrik) Art Nouveau chamberstick with a stylized, sweeping, open handle. The unusual example has a hinged top storage compartment to hold matches. A striker is built into the top. The lovely Jugendstil design has foliates in relief to complete the design. Illustrated in the well-known WMF 1906 catalogue, page 117. Firm's marks upon the handle. Germany circa 1900. 5" W., 7" L.
Lovely Art Nouveau Doulton Lambeth stoneware vase. The bold, bulbous, baluster form with its upward-turned opening, is glazed in cobalt blue. Five large heart-form leaves with detailed relief beading are glazed in celadon. Additional leaves as well as pendant Art Nouveau foliates are glazed in light blue, gold and dark green. Impressed marks as well as workshop marks for Miss B. Harman, circa 1904. 11 1/8" H.
Remarkable pair of Art Nouveau candelabra. Each maiden emerges from a swirling base formed by the flowing drape of her garment. The detailed, fluidly cast figures lean upon naturalistically curving, reticulated vines which uphold flower-form candle cups. The undulating, open flower heads form bobeches. Impeccable Art Nouveau in the manner of Claude Bonnefond. Impressed workshop marks beneath. France circa 1900. 12 3/4" H., 9 1/2" W.
Tall L.C. Tiffany golden Favrile glass chalice-form vase. Domed base with its inverted under-rim supports a tall stem and knop. The vase's wide, pinched top completes the stunning example. Golden iridescent glass has shimmering silvery blue and violet highlights. Signed "L.C.T. 9777." 11 3/4" H., 5 3/4" W.
Richly opalescent aqua floriform-top pastel goblet with contrasting white veining. A tall, ribbed stem is supported by a ribbed, undulating base. Signed L.C.T. Favrile; circa 1905. 8 5/8" H., 3 5/8" W.
Art Nouveau design at its finest. A romanticized reclining maiden in the manner of Alphonse Mucha is depicted in silhouette upon the large bevel mirror as she gazes forward. Elaborately reticulated, interlacing whiplash vines and leaves form the mirror's top, with additional curving elements in relief. A drawing of the design is illustrated in the Antique Collectors Club reprint of the firm's well-known 1906 catalog, page 295. WMF (Wurttembergische Metallwarenfabrik) marks impressed beneath. 12 1/4" W., 20 1/2" H.
Lovely Art Nouveau silver letter holder. The undulating floral form rises above four footed elements. Hallmarks for 800 Fine Silver, Austria circa 1900. 1" D., 5 3/8" W., 3 1/8" H.
Doulton Lambeth bulbous, long- neck-form vase glazed in mottled blue tones. A series of Art Nouveau rosettes surrounded by glazed green heart-shape leaves are in relief. The florals sprout from a raised beaded stem. Impressed artist mark for Senior Assistant E. Violet Hayward. Impressed Doulton marks as well, along with number, circa 1904. 6 3/4" H.
Gilded bronze letter opener with detailed Art Nouveau florals in relief upon both sides of the opener. Fine functional size and form for use. Artist signed, A. Cladoux. France circa 1900. 5 5/8" L.
Fine silver overlay upon a golden, iridescent Loetz glass vase with violet highlights. Hand-chased Art Nouveau florals and interlacing vines adorn the form with its pinched neck and flared opening. Marks for the La Pierre silver workshop in New York and Newark, N.J. circa 1900. 4 5/8" H.