Extensively detailed, fine silver-overlay work covers the surface of this deep-cranberry glass vase. The bulbous bottom rises to a trumpet form. The chased silver displays abundant leaves, berries and vines. Originally presented at Quantuck Yacht Club, August 4, 1906. 7" H.
Lovely silver jigger with a repousse design of interlacing florals. The detailed Art Nouveau jigger was made by the well-known Wilhelm Binder workshop of Schwabisch Gmund, Germany, circa 1900. Gilded within. Firm's marks beneath, along with 800 Fine Silver mark. 2 3/8" H.
Colorful Art Nouveau pottery butter box. The undulating form, with a bell flower and vines in relief, has an applied naturalistic frond handle. Glazed in minty greens along with burgundy and yellow. Interior is a rose tone. Impressed Austria beneath, circa 1900. 3 1/4" H., 6" W., 8 3/4" L.
High Art Nouveau bronze letter opener. Beautifully cast, interlacing vines and flowers adorn the elegant opener. An Art Nouveau maiden with cascading hair is upon the top. France circa 1900. 8 3/4" L.
Bold and beautiful Art Nouveau wine or beer jug made by the well-known Orivit workshop in Cologne, Germany circa 1904. The tall pewter jug has a finely detailed eagle upon its front. The beak-form front of its hinged cover opens to offer a pouring lip. The wide base has undulating peacock-feather forms in relief. Photo of an example is pictured in "Orivit, Zinn des Jugendstils aus Koln," an early Orivit catalogue, page 100. 13 1/2" H.
Stunning Art Nouveau silver beaker is finely engraved with rambling flowers and vines. Two butterflies among the foliates complete the elegant form. Hallmarks include Minerva head for the first French standard of 950 Fine Silver; maker Claude Doutre Rousse, Paris circa 1895. 3 1/8" H., 2 5/8" W.
Stunning bold Doulton Lambeth stoneware vase decorated with pink dogwood flowers within three sections. Rambling Art Nouveau leaves glazed in greens surround the florals. All are against a mottled celadon ground. The applied foot, as well as the top rim, have a mocha glaze with blue highlights inside the neck. Impressed marks beneath for the highly regarded artist, Eliza Simmance, known for winning awards at international exhibitions. Incised assistant decorator marks along with date letter "G" for 1906. 12" H.
Lovely sterling silver Art Nouveau photo frame. An Alphonse- Mucha-inspired maiden is in relief upon the undulating form. Rambling flowers and vines, along with a butterfly, adorn the romanticized design. Hallmarks: R.U. & Co., Birmingham 1907. 5 3/4" W., 6 5/8" H., 3 3/4" diameter photo.
Extraordinary English sterling silver Art Nouveau card case. A distinct Alphonse- Mucha-influence maiden is in high relief upon its front. The profile, with cascading hair and elaborate headband, is reminiscent of Mucha's depictions of Sarah Bernhardt. Floral and scrolling patterns in relief further enhance the lovely case, which accommodates a present-day, business-card size. Hallmarks: Clifford & Norris, Birmingham 1902. 2 3/4" W., 3 7/8" H.
Round pottery tray with robust Art Nouveau florals glazed in cobalt blue with two tones of gray upon a white ground. A pierced gallery enhances the surround. Germany circa 1905. 12" W., 1 1/8" H.
Lovely box with pottery inset upon its hinged top. Interlacing high Art Nouveau design glazed in deep blue and gold upon a white ground. Box made of nickel; Germany circa 1905. 2 7/8" H., 4 1/2" W.
Most unusual example of a fine Art Nouveau silver card case. Rambling vines along with daffodils in high relief are upon the cover of the case. The case, with its spring mechanism, opens to reveal a beautifully fitted interior of moire silk. Each side has a gusset pocket to hold a card. The form accommodates modern- day-size business cards. Impressed marks for 800 fine silver along with maker stamp: Germany circa 1900. 2 5/8" W., 4" L.
WMF (Wurttembergische Metallwarenfabrik) Art Nouveau basket with florals and berries in relief upon its rising sides. A figural winged maiden fashioned as the handle. Designed by Albert Mayer, circa 1907. Firm's marks beneath. 6 3/4" W., 3 1/2" H.
Elegant Art Nouveau enameled pendant from the famous Charles Horner workshop. The openwork design has rising foliates in relief flanked by lush aqua blue enamels. An additional aqua enamel element hangs from a chain above. A drop pearl suspension completes the design. Hallmarks: Charles Horner, Chester 1912. 1 3/4" L. pendant, 3" L. with enamel above
A stunning pewter mount with its original gilding adorns the green glass wine decanter. Reticulated berries, foliates and vines are complemented by a hinged top with berries in relief. Made by the Walter Scherf workshop founded in Nuremberg in 1899 and ceased operating in 1914. A fine example from this workshop, who commissioned prominent designers including Friedrich Adler, Peter Behrens and Joseph Maria Olbrich. The range was signed Isis or Osiris as is this beneath. Nuremberg circa 1900-05. 11 3/8" H.
Doulton Lambeth stoneware vases with a mottled blue-on-celadon glaze. Each is decorated in relief with three sections of Art Nouveau florals in deep golden and blues tones. Impressed marks beneath along with artist marks for Maude Bowden and Annie Partridge as well as numerals circa 1906. 7" H.
Magnificent bottle stand by the WMF (Wurttembergische Metallwarenfabrik) workshop. Three nude sea sirens clasp hands as they encircle the stand among choppy rising waves. A tripod support of lily pads and flowers upholds the stand with pendant grapes festooning above. Workshop marks beneath. Germany circa 1907. 4 1/4" H., 5 1/8" W.
Stunning German Art Nouveau wine, or claret, jug made by the well-regarded Wilkens & Sohne silver workshop of Bremen circa 1900. High Art Nouveau detailed whiplash florals dance about the reticulated mount. A hinged cover with naturalistic blossom finial is upon its top, and an undulating handle completes the silver work. The cover is gilded within. A heavy, quality crystal carafe is cut in alternating panels of wave and diamond patterns. Signed with Wilkens mark, as well as 800 Fine Silver stamp. 12" H.