Fine antique crystal box with a minutely detailed, cast bronze eagle upon its hinged cover. The eagle is complemented by bronze Art Nouveau floral elements along with foliate-trim mountings. The marquise-form crystal box is cut with vertical fluting and a starburst upon its base. France circa 1900. 2 3/8" H., 4 3/8" W., 8 5/8" L.
A stunning example of fine Art Nouveau. The pewter-mounted glass vase is from the Moritz Hacker (Budapest 1849-1932) workshop founded in Vienna, Austria in 1882. Three detailed, cast irises climb the sides of the Loetz lilac glass vase decorated with undulating waves in aubergine. The well-regarded Hacker, a jeweler to the royal court, often collaborated with Loetz. Signed with Hacker workshop marks upon mount; Vienna circa 1900-05. 8 1/4" H.
Elaborate silver oval frame. A central mask of a woman with headdress adorns the top. Foliates in relief further adorn the borders. Stamped with French marks, circa 1900. 5 1/4" W., 8 5/8" H.; 4" W., 5 5/8" H. photo
Elaborate Art Nouveau repousse silver frame. Robust florals and leaves in high relief ramble about the borders of the frame. A shield with floral and ribbon detail is upon the frame's top. Hallmarks: Sydney & Co., Birmingham 1903. 5 1/2" W., 7 1/2" H.; 3 1/2" W., 5 1/4" H. photo
Irises, along with swirling foliates, are in relief upon the box cover. Sides of the charming pill or trinket box have complementing Art Nouveau florals, all with chased detail. Gilded within. Hallmarks: Charles Dumenil, London, 1902. 1 5/8" W., 1 1/8" H.
Finely cast gilded bronze tray with detailed, reticulated foliates in high relief. The stunning Art Nouveau form rests upon four cast feet and is signed M. Migneaux; France circa 1900. 7 1/4" W., 8 7/8" L.
A beautifully cast Art Nouveau maiden with flowing hair in the style of Alphonse Mucha forms the handle of the letter opener. The lovely silvered pewter sculptural opener was made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. Illustrated in the firm's 1906 catalog, reprinted by the Antiques Collectors Club, page 270. 8 1/8" L.
Elaborately pierced, hand-chased florals reveal the cobalt crystal liner of the sterling silver mustard pot. The hinged, slotted cover is all silver. Stamped sterling along with maker mark; American circa 1900. 2 3/4" H. Antique English spoon included. 2 3/4" H.
Extraordinary Jugendstil large wine jug made by the Carl Deffner workshop of Esslingen, Germany, circa 1905. A multi-segmented monkey guards the domed top, while its long tail forms a curved, open handle. The silvered tankard is enhanced with Jugendstil whiplash designs in relief. The monkey, as well as the spout and round foot, are all gilded. Firm's marks beneath. 5 7/8" W., 15 1/2" H.
A most unusual-to-find matching pair of silver overlay vases. Each is in emerald green glass with extensive overlay work, all with hand-chased detail. Interlacing Art Nouveau designs climb the baluster form. Four robust flowers emerge from their stems upon the upper portion of the vases. American circa 1900. 10" H. each
Bold emerald green glass silver overlay vase. The large baluster form is abundantly covered with flowers along with rambling, interlacing vines. All of the Art Nouveau silver overlay work is extensively hand-chased. Stamped marks for the Alvin silver workshop of Rhode Island, circa 1900. 11 7/8" H.
Hand-chased, silver overlay decanter with a tall, complementing, pinched stopper. The elegant form, with its elongated neck, is extensively overlaid with large, robust Art Nouveau flowers and interlacing vines. An elaborate cartouche with monogram is marked 1881-1906. Made by the Alvin silver workshop of Rhode Island circa 1900. 12 1/8" H.
Silver overlay water pitcher is an ideal size for cocktail bar function. The hand-chased silver overlay is an Art Nouveau design with large flowers along with vines and a vacant shield. Made by the Alvin silver workshop of Rhode Island, circa 1900. 6" H., 6" W.
Lovely Art Nouveau round box with robust florals and whiplash vines around the circumference. An Art Nouveau maiden with flowing hair adorns the cover of the elegant design. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. Illustrated in the firm's well-known 1906 catalogue, page 290. 2 1/4" H., 3 1/4" W.
Stunning high Art Nouveau design! A reticulated whiplash form support in each corner upholds the jewel box. Interlacing, sweeping vines and Art Nouveau florals are in relief upon the top and all sides. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany, circa 1900. Illustrated in the firm's well-known 1906 catalogue. Marks beneath. 2 3/4" H., 4 1/2" W., 6 3/4" L.
Sweet Art Nouveau silver overlay on emerald green glass vase. The vase, with its bulbous-form bottom, has an elongated neck with a gently flaring top. Hand-chased interlacing flowers and vines adorn the surface. American circa 1900. 4" H.
Chased Art Nouveau silver adorns the ruby red bud vase. A quatrefoil-form pinched top is covered with silver and completes the lovely design. Signed beneath with marks of the Electrolytic Art Metal Company of New Jersey circa 1900. 4 3/8" H.
Stunning Art Nouveau photo frame made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. The fluidly designed frame with a central winged maiden or fairy accommodates two photos. Signed beneath with workshop marks. Illustrated on page 305 in the well-known WMF 1906 catalogue published by the Antiques Collectors Club. 7 1/2" W., 7 1/4" H; 2 1/8" W., 3 3/8" H.
Patinated repousse brass Art Nouveau photo frame depicting a pair of facing winged phoenixes. Undulating serpent-like forms complete the extraordinary design of the large, brass-wrapped angular frame. In the style of Alfred Daguet, France circa 1900. Wooden easel back. 9" W., 11 12" H; 3 1/2" W., 5 1/4" H. photo
Extensively detailed, fine silver-overlay work covers the surface of this deep-cranberry glass vase. The bulbous bottom rises to a trumpet form. The chased silver displays abundant leaves, berries and vines. Originally presented at Quantuck Yacht Club, August 4, 1906. 7" H.
Lovely silver jigger with a repousse design of interlacing florals. The detailed Art Nouveau jigger was made by the well-known Wilhelm Binder workshop of Schwabisch Gmund, Germany, circa 1900. Gilded within. Firm's marks beneath, along with 800 Fine Silver mark. 2 3/8" H.
Colorful Art Nouveau pottery butter box. The undulating form, with a bell flower and vines in relief, has an applied naturalistic frond handle. Glazed in minty greens along with burgundy and yellow. Interior is a rose tone. Impressed Austria beneath, circa 1900. 3 1/4" H., 6" W., 8 3/4" L.
High Art Nouveau bronze letter opener. Beautifully cast, interlacing vines and flowers adorn the elegant opener. An Art Nouveau maiden with cascading hair is upon the top. France circa 1900. 8 3/4" L.
Bold and beautiful Art Nouveau wine or beer jug made by the well-known Orivit workshop in Cologne, Germany circa 1904. The tall pewter jug has a finely detailed eagle upon its front. The beak-form front of its hinged cover opens to offer a pouring lip. The wide base has undulating peacock-feather forms in relief. Photo of an example is pictured in "Orivit, Zinn des Jugendstils aus Koln," an early Orivit catalogue, page 100. 13 1/2" H.
Art Nouveau sterling silver frame has curving sides along with an undulating, curved top. Pendant floral bouquets and vines are in relief upon its borders. Hallmarks: Boots Pure Drug Co.; Birmingham 1909. 6" W., 7 7/8" H.; 3 1/2" W., 5 1/4" H. photo
Stunning Art Nouveau silver beaker is finely engraved with rambling flowers and vines. Two butterflies among the foliates complete the elegant form. Hallmarks include Minerva head for the first French standard of 950 Fine Silver; maker Claude Doutre Rousse, Paris circa 1895. 3 1/8" H., 2 5/8" W.
Stunning bold Doulton Lambeth stoneware vase decorated with pink dogwood flowers within three sections. Rambling Art Nouveau leaves glazed in greens surround the florals. All are against a mottled celadon ground. The applied foot, as well as the top rim, have a mocha glaze with blue highlights inside the neck. Impressed marks beneath for the highly regarded artist, Eliza Simmance, known for winning awards at international exhibitions. Incised assistant decorator marks along with date letter "G" for 1906. 12" H.
Lovely sterling silver Art Nouveau photo frame. An Alphonse- Mucha-inspired maiden is in relief upon the undulating form. Rambling flowers and vines, along with a butterfly, adorn the romanticized design. Hallmarks: R.U. & Co., Birmingham 1907. 5 3/4" W., 6 5/8" H., 3 3/4" diameter photo.
Extraordinary Art Nouveau wine or Champagne cooler is a punch bowl as well. The hammered copper cooler has pendant grapes, leaves and vines in high relief. Fluid brass whiplash handles are upon its sides. The stunning form, with an undulating rim, becomes a punch bowl when its original olive green crystal liner is placed within. The complementing cover has an undulating brass florette, along with vines, and rests upon the crystal liner. A bottle can also be placed into the liner along with ice if desired. Made by the Carl Deffner workshop in Esslingen, Germany circa 1900. Deffner produced Jugendstil design of the highest order and his works are represented in the collection of the Brohan Museum in Berlin. 9 1/2" H. to handles, 12 3/4" H. overall, 12 1/8" at handles
Extraordinary English sterling silver Art Nouveau card case. A distinct Alphonse- Mucha-influence maiden is in high relief upon its front. The profile, with cascading hair and elaborate headband, is reminiscent of Mucha's depictions of Sarah Bernhardt. Floral and scrolling patterns in relief further enhance the lovely case, which accommodates a present-day, business-card size. Hallmarks: Clifford & Norris, Birmingham 1902. 2 3/4" W., 3 7/8" H.
A fine figural Art Nouveau pewter Champagne cooler. A lovely, romanticized maiden harvests grapes from their vines. She hovers above a detailed relief scene of mountains, castles and the Rhine Valley, which is depicted around the circumference of the vessel. Naturalistic relief grape leaves and stems form opposing handles. A truly extraordinary example of Art Nouveau made in Germany circa 1900. 11 3/4" H., 7 1/2" W. at top, 9" W. at base
Round pottery tray with robust Art Nouveau florals glazed in cobalt blue with two tones of gray upon a white ground. A pierced gallery enhances the surround. Germany circa 1905. 12" W., 1 1/8" H.
Lovely box with pottery inset upon its hinged top. Interlacing high Art Nouveau design glazed in deep blue and gold upon a white ground. Box made of nickel; Germany circa 1905. 2 7/8" H., 4 1/2" W.
Most unusual example of a fine Art Nouveau silver card case. Rambling vines along with daffodils in high relief are upon the cover of the case. The case, with its spring mechanism, opens to reveal a beautifully fitted interior of moire silk. Each side has a gusset pocket to hold a card. The form accommodates modern- day-size business cards. Impressed marks for 800 fine silver along with maker stamp: Germany circa 1900. 2 5/8" W., 4" L.
Beautiful and bold Art Nouveau sterling silver frame. Undulating borders surround a hammered surface on the large form. Original lush velvet easel back. Hallmarks: Henry Matthews, Birmingham 1905. 8 1/2" W., 11 1/2" H., 5 7/8" W., 8 1/8" H. photo
WMF (Wurttembergische Metallwarenfabrik) Art Nouveau basket with florals and berries in relief upon its rising sides. A figural winged maiden fashioned as the handle. Designed by Albert Mayer, circa 1907. Firm's marks beneath. 6 3/4" W., 3 1/2" H.
Lovely, romanticized Art Nouveau wine bottle stand from the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany, circa 1907. Flowing florals rise above a series of six fish as they swim through wave-like Art Nouveau tendrils. Workshop marks beneath. 3" H., 4 3/4" W.
Elegant Art Nouveau enameled pendant from the famous Charles Horner workshop. The openwork design has rising foliates in relief flanked by lush aqua blue enamels. An additional aqua enamel element hangs from a chain above. A drop pearl suspension completes the design. Hallmarks: Charles Horner, Chester 1912. 1 3/4" L. pendant, 3" L. with enamel above
A stunning pewter mount with its original gilding adorns the green glass wine decanter. Reticulated berries, foliates and vines are complemented by a hinged top with berries in relief. Made by the Walter Scherf workshop founded in Nuremberg in 1899 and ceased operating in 1914. A fine example from this workshop, who commissioned prominent designers including Friedrich Adler, Peter Behrens and Joseph Maria Olbrich. The range was signed Isis or Osiris as is this beneath. Nuremberg circa 1900-05. 11 3/8" H.
Doulton Lambeth stoneware vases with a mottled blue-on-celadon glaze. Each is decorated in relief with three sections of Art Nouveau florals in deep golden and blues tones. Impressed marks beneath along with artist marks for Maude Bowden and Annie Partridge as well as numerals circa 1906. 7" H.
Magnificent bottle stand by the WMF (Wurttembergische Metallwarenfabrik) workshop. Three nude sea sirens clasp hands as they encircle the stand among choppy rising waves. A tripod support of lily pads and flowers upholds the stand with pendant grapes festooning above. Workshop marks beneath. Germany circa 1907. 4 1/4" H., 5 1/8" W.
Interlacing, high Art Nouveau rambling vines adorn the wine bottle stand. A central maiden with cascading hair in the manner of Alphonse Mucha is upon two sides of the stunning design. Made by the well-known WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Impressed marks beneath. 3 1/4" H., 4 1/8" W.
Stunning German Art Nouveau wine, or claret, jug made by the well-regarded Wilkens & Sohne silver workshop of Bremen circa 1900. High Art Nouveau detailed whiplash florals dance about the reticulated mount. A hinged cover with naturalistic blossom finial is upon its top, and an undulating handle completes the silver work. The cover is gilded within. A heavy, quality crystal carafe is cut in alternating panels of wave and diamond patterns. Signed with Wilkens mark, as well as 800 Fine Silver stamp. 12" H.
Extensively detailed, fine silver-overlay work covers the surface of this deep-cranberry glass vase. The bulbous bottom rises to a trumpet-form. The chased silver displays abundant leaves, berries and vines. Originally presented at Quantuck Yacht Club, August 4, 1906. 7" H.
Lovely Jugendstil bottle stand with three sections of florals in relief. Reticulated elements rise above each section. The elegant stand was made in Germany circa 1900. 3 1/8" H., 3 7/8" W.
Lovely, undulating Art Nouveau brass photo frame. The fluid design has interlacing strapwork as well as curved elements. An unusual example, European circa 1900. 7 1/4" W., 9 1/2" H; 4" W., 6 1/2" H. photo
Lovely oval, hammered brass tray made the the well-known WMF (Wurttembergisch Metallwarenfabrik) workshop in Germany circa 1900. Reticulated rivet-and-strapwork Art Nouveau handles complete the design. 9 1/4" W., 16 1/2" L.
Stunning high Art Nouveau wine bottle stand. Reticulated whiplash Art Nouveau florals and vines ramble about the form. Pinched wave edges complete the design, which is supported by a raised bevel foot. Made in Germany circa 1900. 3 1/8": H., 4 3/8" W.
Fine Art Nouveau silver and enamel brooch with two large, heart-shape foliates in lush blue-to-green enamels. The hearts are surrounded by additional stylized foliates in relief. The firm, founded by Ernest Murrle of Pforzheim and J.B. Bennett of London, was active 1896-1914, creating Art Nouveau and Arts & Crafts design jewelry. The works were often sold by Liberty & Co. in London at turn-of-the-century. Signed with the workshop's MBCo logo along with silver mark. Made in Pforzheim circa 1900. 3/4" W., 1 5/8" L., 2 7/8" L. with pin.
Tall Art Nouveau wine, or Champagne cooler. The elegant, bold form has open, sweeping handles with Vienna Secession elements. Stylized Jugendstil florals are in relief within a panel about its circumference. The nickel-on-brass cooler was made in Germany circa 1905. 11 1/4" H., 9 1/2" W. to handles
Lovely British cocktail tray with open sweeping Art Nouveau handles. The round form has applique work beneath the extended handles and is supported by three bun feet. Made by John Collyer in Birmingham circa 1905. 14" W.
Lovely Art Nouveau vesta, or match cover, made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. An Art Nouveau maiden with cascading hair, reminiscent of Alphonse Mucha, is upon its front. Illustrated on page 119 in the reprint of the WMF 1906 catalogue published by The Antique Collectors' Club. 1 1/8" W., 1 3/4" L.
Beautifully stylized Doulton Lambeth stoneware jardiniere. Interlacing robust foliates as well as whiplash vines are tube lined. Glazed in royal and light blues along with celadon and sepia brown. Unusual mottled, sponged effect upon surface. Impressed Doulton Lambeth marks for period circa 1902 along with decorator marks for Jane Rumbol. 7 3/4" H., 8 1/2" W.
Lovely Art Nouveau sterling- silver-top boudoir jar. A scene in high relief depicts a pair of birds among cascading flowers and is gilded beneath. Crystal jar is extensively cut. Hallmarks: J. Aitkin & Son; Birmingham 1904. 2 7/8" H., 3 1/4" W.
Fine Art Nouveau silver jardiniere with Art Nouveau maidens representing the arts. One strokes a lyre while the other holds a painter's brush and palette. Reticulated flowers and interlacing vines complete the design along with naturalistic openwork handles. A cut-crystal liner rests within. Stamped marks for the Martin Mayer workshop of Mainz, Germany along with 835 Fine Silver marks, circa 1900. Artists commissioned by Mayer include Peter Behrens and Hans Christiansen. 3 7/8" H., 5" W., 11" L.
Lovely and elegant Art Nouveau biscuit barrel made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. The green- shaded- to-clear crystal is hand-cut with robust Art Nouveau flowers and fronds. The cover has an applied floral finial. 8" H., 5 1/2" W.
Stunning Art Nouveau wine bottle stand made in Vienna by the Argentor workshop circa 1902. A frieze of elegant reticulated foliates rises above a raised support base. The tops of the six-leaf forms create a scallop-design opening. The Argentor firm, located in Wimbergerstrasser in Vienna, was founded by Ernst Russ and Adolf Wilhelm Hetzel. Illustrated in an early Argentor Werke catalog, page 82. 4 1/2" H.
Decanter extensively overlaid with abundant silver flowers upon a florette-and-lattice surround. The unusual and elegant bulbous form with tapering base has a curving handle completely covered in silver. An undulating neck with pouring lip holds a tall, tear- drop-form stopper with additional overlay flowers. Silver has detailed, hand-chased work. Marks for the Alvin workshop of Rhode Island, circa 1900. 10 1/4" H.
Lovely Art Nouveau pendant from the famous Charles Horner workshop in sterling silver and enamel. An oval enamel in lustrous cobalt and turquois is surrounded by reticulated foliates. Three round enamels as well as a suspended drop, all in purples, further enhance the elegant Art Nouveau design. 1 1/2" L. Signed with Charles Horner's well-known, intertwined CH registered trademark; Chester circa 1915. A similar pendant is pictured in "Charles Horner of Halifax," by Lawson.
Reticulated design typifies the fluidity of Art Nouveau with rambling, interlacing florals and vines. Top circumference is highlighted with open flower heads. Four footed florettes support the elegant bottle stand. Made by WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1907. Firm's makrs beneath.4 3/4" W., 4 1/8" H.