Extraordinary English sterling silver Art Nouveau card case. A distinct Alphonse- Mucha-influence maiden is in high relief upon its front. The profile, with cascading hair and elaborate headband, is reminiscent of Mucha's depictions of Sarah Bernhardt. Floral and scrolling patterns in relief further enhance the lovely case, which accommodates a present-day, business-card size. Hallmarks: Clifford & Norris, Birmingham 1902. 2 3/4" W., 3 7/8" H.
A fine figural Art Nouveau pewter Champagne cooler. A lovely, romanticized maiden harvests grapes from their vines. She hovers above a detailed relief scene of mountains, castles and the Rhine Valley, which is depicted around the circumference of the vessel. Naturalistic relief grape leaves and stems form opposing handles. A truly extraordinary example of Art Nouveau made in Germany circa 1900. 11 3/4" H., 7 1/2" W. at top, 9" W. at base
Art Nouveau silvered pewter letter opener made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1910. A detailed dog's head among Art Nouveau foliates is upon the top of the opener's blade. 8" L.
Jugendstil-design tray with sweeping sides. Reticulated angular handles as well as Secession-influence elements complete the pewter frame surrounding the inset oak bottom. Marks for the well-known WMF (Wurttembergische Metallwarenfabrik) workshop, circa 1905. Illustrated in the WMF 1906 catalogue, page 181. 8 1/2" W., 15" L.
Round pottery tray with robust Art Nouveau florals glazed in cobalt blue with two tones of gray upon a white ground. A pierced gallery enhances the surround. Germany circa 1905. 12" W., 1 1/8" H.
Lovely box with pottery inset upon its hinged top. Interlacing high Art Nouveau design glazed in deep blue and gold upon a white ground. Box made of nickel; Germany circa 1905. 2 7/8" H., 4 1/2" W.
Most unusual example of a fine Art Nouveau silver card case. Rambling vines along with daffodils in high relief are upon the cover of the case. The case, with its spring mechanism, opens to reveal a beautifully fitted interior of moire silk. Each side has a gusset pocket to hold a card. The form accommodates modern- day-size business cards. Impressed marks for 800 fine silver along with maker stamp: Germany circa 1900. 2 5/8" W., 4" L.
Beautiful and bold Art Nouveau sterling silver frame. Undulating borders surround a hammered surface on the large form. Original lush velvet easel back. Hallmarks: Henry Matthews, Birmingham 1905. 8 1/2" W., 11 1/2" H., 5 7/8" W., 8 1/8" H. photo
WMF (Wurttembergische Metallwarenfabrik) Art Nouveau basket with florals and berries in relief upon its rising sides. A figural winged maiden fashioned as the handle. Designed by Albert Mayer, circa 1907. Firm's marks beneath. 6 3/4" W., 3 1/2" H.
Lovely, romanticized Art Nouveau wine bottle stand from the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany, circa 1907. Flowing florals rise above a series of six fish as they swim through wave-like Art Nouveau tendrils. Workshop marks beneath. 3" H., 4 3/4" W.
Elegant Art Nouveau enameled pendant from the famous Charles Horner workshop. The openwork design has rising foliates in relief flanked by lush aqua blue enamels. An additional aqua enamel element hangs from a chain above. A drop pearl suspension completes the design. Hallmarks: Charles Horner, Chester 1912. 1 3/4" L. pendant, 3" L. with enamel above
Interlacing Art Nouveau tendrils and flowers adorn the brass jug, or pitcher. A flaring pouring lip and rivet-applied curving handle complete the bold form. Made in the Thomas Sankey & Sons workshop in England circa 1905. 6" W., 11" H.
A stunning pewter mount with its original gilding adorns the green glass wine decanter. Reticulated berries, foliates and vines are complemented by a hinged top with berries in relief. Made by the Walter Scherf workshop founded in Nuremberg in 1899 and ceased operating in 1914. A fine example from this workshop, who commissioned prominent designers including Friedrich Adler, Peter Behrens and Joseph Maria Olbrich. The range was signed Isis or Osiris as is this beneath. Nuremberg circa 1900-05. 11 3/8" H.
Doulton Lambeth stoneware vases with a mottled blue-on-celadon glaze. Each is decorated in relief with three sections of Art Nouveau florals in deep golden and blues tones. Impressed marks beneath along with artist marks for Maude Bowden and Annie Partridge as well as numerals circa 1906. 7" H.
Magnificent bottle stand by the WMF (Wurttembergische Metallwarenfabrik) workshop. Three nude sea sirens clasp hands as they encircle the stand among choppy rising waves. A tripod support of lily pads and flowers upholds the stand with pendant grapes festooning above. Workshop marks beneath. Germany circa 1907. 4 1/4" H., 5 1/8" W.
Interlacing, high Art Nouveau rambling vines adorn the wine bottle stand. A central maiden with cascading hair in the manner of Alphonse Mucha is upon two sides of the stunning design. Made by the well-known WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Impressed marks beneath. 3 1/4" H., 4 1/8" W.
Stunning German Art Nouveau wine, or claret, jug made by the well-regarded Wilkens & Sohne silver workshop of Bremen circa 1900. High Art Nouveau detailed whiplash florals dance about the reticulated mount. A hinged cover with naturalistic blossom finial is upon its top, and an undulating handle completes the silver work. The cover is gilded within. A heavy, quality crystal carafe is cut in alternating panels of wave and diamond patterns. Signed with Wilkens mark, as well as 800 Fine Silver stamp. 12" H.
Lovely romanticized Art Nouveau box from the famous WMF (Wurttembergische Metallwarenfabrik) workshop of Germany, circa 1907. Flowing florals rise above a series of six fish as they swim through wave-like, Art Nouveau tendrils. The cover features a wave-like flowing orchid with fish emerging from its form. Gilded within. 1 3/4" H., 3" W.,4 1/2" L.