Fine Art Nouveau "L'Etang" (The Pond) Jardiniere featuring frolicking children, circa 1890's. Well cast sculpture by one of the most highly regarded artists working in France in the Art Nouveau Era. A similar example is pictured in The Paris Salons-vol. V, page 369. This is an unusual example by Larche, well known for his design of The Loie Fuller lamp. Dimensions: 10 1/2" H., 11 1/2" W.; signed,circa 1890's.
Massive example of Art Glass by the firm of Pallme-Konig & Habel, known as the leading competitor of Loetz in Austria in the early 1900's. Textured green glass with purple iridescent highlights similar to Loetz Papillon Glass. Allover random aubergine color threading which the firm is known for. Minor flaking at bottom edges. A truly spectacular example for Arts & Crafts, Secession or Art Nouveau interior. Austria, circa 1910. Wired for U.S. electricity. Dimensions: Height overall with rod - 35", Shade diameter - 18", Height - 5 1/2".
Gilded bronze seal signed A. Marionnet. Fine quality casting of deep relief foliates and opening flower heads. France circa 1900. 4 1/4" H.
A lovely bust of an elegant woman in hat with a ribbon about her neck. An example typical of the finest works associated with this highly regarded artist born in Belgium in 1856. Bears Societe Des Bronzes De Paris Foundry Seal. Onyx base. France circa 1890. Titled "Theresa", an example pictured in 'Bronzes Sculptors Founders' by Berman; page 340. Dimensions: 7 3/4" H.
Georges Van Der Straeten born in Belgium 1850. An Art Nouveau Bronze of a woman with hair upswept into a ribbon. Lush brown patina. lovely features capture the remarkable expression and detail this sculptor is known for. Societe Des Bronzes De Paris Foundry Seal, France circa 1890. Onyx base. Dimensions: 7 3/8" H.
Pair of Art Nouveau Royal Dux pottery vases with pierced handles and florals. Ivory tone background with painted green & gilt accented relief flowers. Bases with impressed Royal Dux Bohemia triangles and factory numbers. One impressed Austria. Excellent condition. Height 9", width of base 5 1/2". Circa 1905
Magnificent Art Nouveau cranberry glass wine jug. Art Nouveau pewter whiplash flowers and vines adorn the form. Interlacing vines dance about the top mount. A figural Nouveau maiden upholds the shell form hinged lid. Made in Germany circa 1900. Dimensions: 12 1/4" H.
Stunning Art Nouveau Vase! Large cased ruby red over amber glass intaglio cut florals and vines rambling about the surface of the tall form. Further cutting within the amber foliates is highlighted with silver. Attributed to the Harrach Workshop known for their fine Art Nouveau intaglio work. Bohemia circa 1900. Dimensions: 12 7/8" H.
Superb quality Art Nouveau 800 Fine Silver tray by the Wilhelm Binder workshop in Schwabisch Gmund, Germany circa 1905. The oval dual handle form has cut out interlacing Jugendstil elements. Hand chased contoured accents enhance the design. Further handwork is seen in rolled edging around the entire tray. Firm's marks beneath. An Austro-Hungarian import mark for Budapest is stamped upon one handle. An identical example in the collection of the Brohan Museum in Berlin is pictured page 101, 'Modern Art of Metalwork', published by the museum. Dimensions: 6 5/8" W, 13 1/4" L.
Beautiful reticulated Jugendstil centerpiece made by WMF (Wurttembergische Metalwaren Fabrik) in Germany circa 1900. Flowing whiplash design elements surround a central Art Nouveau maiden in profile. Cut crystal liner completes this stunning piece. Illustrated page 364 in the workshop's well known 1906 Catalogue. 12" L, 4 1/4" H.
Fine WMF centerpiece depicting a central maiden with outstretched arms. Whiplash handles flank the high Art Nouveau reticulated form. Relief patterns of flowers and vines sweep about the surface. The crystal liner is cut with complimenting florals. Stabilized crack upon left of liner. Designed by Albert Mayer circa 1900 in Germany in the workshop's 1906 Catalogue page 364. Dimensions: 6 1/8" H, 7" W, 18" L.
An undulating Art Nouveau framework adorns the original complimenting cut crystal bowl. A billowing cover enhanced by relief tendrils and a naturalistic pierced handle complete the form. Made by the Walter Scherf workshop founded in Nuremberg in 1899 and ceased operating in 1914. Prominent designers such as Friedrich Adler, Peter Behrens and Joseph Maria Olbrich were commissioned to create designs. This fine example was likely designed by Peter Behrens. The range was signed Isis or Osiris as is this beneath the foot, circa 1900. Dimensions: 3 5/8" H, 5" W, 9" L.
High Art Nouveau tray with reticulated whiplash elements. Relief florals enhance each end. Incised elements highlight the tray's surface. The undulating form is supported by four ball feet. Made by the well-known workshop WMF (Wurttembergische Metallwaren Fabrik)in Germany circa 1910. Dimensions: 8 1/2" W., 13 1/2" L.
Kralik Glatt Silberiris vase with fine silver overlay. Cased golden iridescent pinched vase with a rose orchid interior. Art Nouveau chased silver flowers and vines embellish the form. Wilhelm Kralik Sohne was founded by Josef Meyr in Austro-Bohemia circa 1815. Silver overlay bears marks from La Pierre of New York, N.Y., and Newark, N.J., circa 1905. Dimensions: 4 1/4" H.
Art Nouveau silver card tray with a raised border of intertwined mistletoe leaves. The rectangular tray with its rounded corners bears hallmarks beneath for Orfevrerie Boulenger et Cie, Paris. Additionally stamped with the head of Mercury and numeral 1 for 950 fine silver. The prominent workshop received many international design awards. France circa 1900. Dimensions: 6" W., 8" L.
Beautifully interpreted Art Nouveau design. A Mucha-inspired figural maiden with flowing hair upholds a corner of her gown as it undulates about the perimeter of the tray. Pendant irises in relief are further enhanced by cast and applied flowers and fronds in high relief. Made by the famous WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. Illustrated in the firm's 1906 catalogue, page 170. Signed beneath. Dimensions: 12 1/4" W., 11 1/2" H.
Extraordinary design. High art nouveau centerpiece stand by the famous WMF (Wurttembergische MetallWarenfabrik) workshop in Germany circa 1900. A four footed curving base with irises in relief leads to a naturalistic column with flanking whiplash elements. An elaborately reticulated framework of art nouveau florals above rippling water like patterns holds a cobalt crystal bowl. The scallop edge bowl has gold enamel floral accents about it's form. Exhuberant whiplash handles complete the stunning center stand. Firm's marks beneath. Dimensions : 13"h, 15"w to handles.
Lovely Art Nouveau frame with reticulated whiplash elements at its top. A central display of open flowers and leaves crowns the robust form with further naturalistic reticulation at its lower section. Germany circa 1900. Dimensions: 4 1/2" W., 7" H.; 2 1/8" W., 3 1/4" H.; photo 2 1/8" W., 3 1/4" L.