Lovely Art Nouveau Doulton Lambeth stoneware vase. The bold, bulbous, baluster form with its upward-turned opening, is glazed in cobalt blue. Five large heart-form leaves with detailed relief beading are glazed in celadon. Additional leaves as well as pendant Art Nouveau foliates are glazed in light blue, gold and dark green. Impressed marks as well as workshop marks for Miss B. Harman, circa 1904. 11 1/8" H.
WMF (Wurttembergische Metallwarenfabrik) Art Nouveau chamberstick with a stylized, sweeping, open handle. The unusual example has a hinged top storage compartment to hold matches. A striker is built into the top. The lovely Jugendstil design has foliates in relief to complete the design. Illustrated in the well-known WMF 1906 catalogue, page 117. Firm's marks upon the handle. Germany circa 1900. 5" W., 7" L.
Large Art Nouveau figural mirror. A lovely Alphonse Mucha-inspired maiden forms the mirror's stand. She gazes upward into her own boudoir mirror as her sweeping gown forms a tray beneath. The stunning high Art Nouveau design retains its original double-bevel curving mirror. A detailed cast bird in flight completes the polished pewter form. Germany circa 1900. 14"W., 18 1/2" H.
Fine figural Art Nouveau silvered pewter liqueur service depicting a maiden upholding a cut crystal decanter. A fluid Jugendstil base holds six cordial tumblers. Stylized hand-cutting upon the decanter and tumblers is in a Secession design. Designed by Albert Mayer for WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1900. Firm's marks impressed upon base. Illustrated in "Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906," page XXXVII and page 129. 14 1/4" H., 13 1/4" L.
Stunning design! A robust wide band of foliates in high relief encircles the wine, or Champagne cooler. Curving handles with scroll elements further enhance the elegant form. Made by the Orivit workshop, well-known for fine Art Nouveau design in Cologne, Germany circa 1910. 9 1/4" H., 11 1/2" W. to handles
Reticulated design typifies the fluidity of Art Nouveau with rambling, interlacing florals and vines. Top circumference is highlighted with open flower heads. Four footed florettes support the elegant bottle stand. Made by WMF (Wurttembergische Metallwarenfabrik) in Germany circa 1907. Firm's makrs beneath.4 3/4" W., 4 1/8" H.
Lovely Art Nouveau pendant from the famous Charles Horner workshop in sterling silver and enamel. An oval enamel in lustrous cobalt and turquois is surrounded by reticulated foliates. Three round enamels as well as a suspended drop, all in purples, further enhance the elegant Art Nouveau design. 1 1/2" L. Signed with Charles Horner's well-known, intertwined CH registered trademark; Chester circa 1915. A similar pendant is pictured in "Charles Horner of Halifax," by Lawson.
Decanter extensively overlaid with abundant silver flowers upon a florette-and-lattice surround. The unusual and elegant bulbous form with tapering base has a curving handle completely covered in silver. An undulating neck with pouring lip holds a tall, tear- drop-form stopper with additional overlay flowers. Silver has detailed, hand-chased work. Marks for the Alvin workshop of Rhode Island, circa 1900. 10 1/4" H.
Stunning Art Nouveau wine bottle stand made in Vienna by the Argentor workshop circa 1902. A frieze of elegant reticulated foliates rises above a raised support base. The tops of the six-leaf forms create a scallop-design opening. The Argentor firm, located in Wimbergerstrasser in Vienna, was founded by Ernst Russ and Adolf Wilhelm Hetzel. Illustrated in an early Argentor Werke catalog, page 82. 4 1/2" H.
Lovely and elegant Art Nouveau biscuit barrel made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. The green- shaded- to-clear crystal is hand-cut with robust Art Nouveau flowers and fronds. The cover has an applied floral finial. 8" H., 5 1/2" W.
Fine Art Nouveau silver jardiniere with Art Nouveau maidens representing the arts. One strokes a lyre while the other holds a painter's brush and palette. Reticulated flowers and interlacing vines complete the design along with naturalistic openwork handles. A cut-crystal liner rests within. Stamped marks for the Martin Mayer workshop of Mainz, Germany along with 835 Fine Silver marks, circa 1900. Artists commissioned by Mayer include Peter Behrens and Hans Christiansen. 3 7/8" H., 5" W., 11" L.
Lovely Art Nouveau sterling- silver-top boudoir jar. A scene in high relief depicts a pair of birds among cascading flowers and is gilded beneath. Crystal jar is extensively cut. Hallmarks: J. Aitkin & Son; Birmingham 1904. 2 7/8" H., 3 1/4" W.
Beautifully stylized Doulton Lambeth stoneware jardiniere. Interlacing robust foliates as well as whiplash vines are tube lined. Glazed in royal and light blues along with celadon and sepia brown. Unusual mottled, sponged effect upon surface. Impressed Doulton Lambeth marks for period circa 1902 along with decorator marks for Jane Rumbol. 7 3/4" H., 8 1/2" W.
Lovely Art Nouveau vesta, or match cover, made by the well-known WMF (Wurttembergische Metallwarenfabrik) workshop in Germany circa 1900. An Art Nouveau maiden with cascading hair, reminiscent of Alphonse Mucha, is upon its front. Illustrated on page 119 in the reprint of the WMF 1906 catalogue published by The Antique Collectors' Club. 1 1/8" W., 1 3/4" L.
Lovely British cocktail tray with open sweeping Art Nouveau handles. The round form has applique work beneath the extended handles and is supported by three bun feet. Made by John Collyer in Birmingham circa 1905. 14" W.
Tall Art Nouveau wine, or Champagne cooler. The elegant, bold form has open, sweeping handles with Vienna Secession elements. Stylized Jugendstil florals are in relief within a panel about its circumference. The nickel-on-brass cooler was made in Germany circa 1905. 11 1/4" H., 9 1/2" W. to handles
Fine Art Nouveau silver and enamel brooch with two large, heart-shape foliates in lush blue-to-green enamels. The hearts are surrounded by additional stylized foliates in relief. The firm, founded by Ernest Murrle of Pforzheim and J.B. Bennett of London, was active 1896-1914, creating Art Nouveau and Arts & Crafts design jewelry. The works were often sold by Liberty & Co. in London at turn-of-the-century. Signed with the workshop's MBCo logo along with silver mark. Made in Pforzheim circa 1900. 3/4" W., 1 5/8" L., 2 7/8" L. with pin.
Stunning high Art Nouveau wine bottle stand. Reticulated whiplash Art Nouveau florals and vines ramble about the form. Pinched wave edges complete the design, which is supported by a raised bevel foot. Made in Germany circa 1900. 3 1/8": H., 4 3/8" W.