Pair of sterling silver octagonal base candlesticks in the Georgian style. Each, with fluted embellishments, have complementing removable, octagonal bobeches. Hallmarks: Martin Hall (Richard Martin and Joshua Hall), Sheffield 1901. 7 1/4" H.
Lovely Gorham sterling silver bowl with eleven deep panel sections. Elaborate scrolling florals are in high relief upon the panel rim. Gilded within. Stamped with this prominent Rhode Island silversmith's "bell" date symbol for year 1900. 9 1/2" W.
Three draped parian maidens, each signed Copeland, are mounted upon a tripod-form stand. An elaborately detailed, gilded metal palm tree emerges from the stand's center. The naturalistic Victorian design upholds a crystal bowl cut and etched with complementing foliates about its border. Popular parian wares were prominent in Victorian-era England. England, circa 1865. 11 1/2" H., 11 3/4" W.
Sweeping handles flank the bold Art Nouveau wine or Champagne cooler. Interlacing stylized Jugendstil foliates in relief exuberantly adorn front and back. Made by the Gerhardi workshop in Germany circa 1900. 9 3/8" H., 12" W. to handle
Sterling silver bottle stopper fashioned as a wine barrel. The barrel bears hallmarks for the well-known Bruckmann & Sohne workshop of Heibronn, Germany; circa 1960's. 1 3/4" H., 3 1/4" H. with cork.
Sterling silver compact corkscrew and bottle opener. The corkscrew is concealed within its silver engine-turned wave pattern holder. Ideal for traveling. Made by the Blackinton silver workshop in North Attleboro, Massachusetts, circa 1940. 3 1/2" L.
Art Nouveau brass box with bronze patina has a central maiden's face in high relief upon the hinged top. Interlacing foliates in relief complete the cover design. Heart-shape foliates enhance the sides. Wooden lining. Made in France circa 1905. 2 3/4" H., 6 1/4" W., 9 3/4" L.
Exquisitely cast gilded bronze urn by the famous Barbedienne Foundry in France circa 1900. Detailed relief floral clusters are found upon the top. Additional stylized Art Nouveau flower forms enhance the circumference as well as the sides of the form with its variegated marble base. Signed F. Barbedienne, Paris. 8 3/8" H.
Fine WMF (Wurttembergische Metallwarenfabrik) silvered pewter figural, monumental Art Nouveau vases in the manner of Alphonse Mucha. One has front relief of a barefoot maiden with flowing, tousled hair among florals and vines. The facing vase has a fluid-haired maiden sniffing a bouquet of undulating florals. Reverse of each has further interlacing foliates and vines. The neck and naturalistic waving tops are flanked by reticulated Art Nouveau whiplash handles. Stunning examples of Art Nouveau at its best. Firm's marks beneath. Germany circa 1907. 19 1/2" H., 10 1/2" w.
Pair sterling silver Danish-influence two-arm candelabra. A central urn form with scrolling berry elements is reminiscent of Georg Jensen design. The stunning form is supported by a hammered silver base. Marks beneath for the prominent Gorham silver workshop along with date mark for year 1941. 7 1/4" H., 9 1/2" W.
Elaborate Italian silver box: Oval form with hand-chased fleur-de-lys and scrolling borders upon the textured, hinged top. An oval malachite cabuchon mounted medallion is at the center of the cover. Cast and applied reticulated feet support the lobed box. Gilded interior. Hallmarked Milan, 800 fine silver, circa 1940. 3" H., 5 1/2" W., 6 3/4" L.
Victorian heavily cut crystal biscuit box. The oval form has a hinged cover flanked by tall elongated handles. Silvered mounts hallmarked for John Grinsdell & Sons; Birmingham circa 1885. 5 1/2" H., 5 1/2" W., 10" L.
Traditional English biscuit barrel in the form of an actual detailed wooden barrel. The box with its hinged cover rests upon a beaded tray supported by four claw feet. A chased lion crest embellishes the front. Registry marks beneath as well as upon cover for January 22, 1862. 7" H., 5 3/4" W., 8 1/4" W. w/tray
Stunning pair of Jungendstil bowls. The footed silver forms have sweeping Art Nouveau elements among shield friezes. Secession influence geometric designs complete the 800 fine silver framework. Undulating hand-cut crystal liners rest within. Two inner-rim flakes on one liner. Each signed beneath with workshop marks for the well-known Koch & Bergfeld, circa 1902. Retailer marks for Vollgold & Sohn are found on the silver as well. The Koch & Bergfeld silversmiths were founded in Bremen in 1829. Examples of their works are represented in the Brohan Museum collection in Berlin. 5 1/2" H., 7 1/4" W. each.
Large example of an L.C. Tiffany Favrile decorated center bowl with its original two-tier flower frog. The rolled rim form is decorated with green lily pads and trailing vines upon the golden multi-hued iridescent glass. Both the bowl and looped frog are each signed "L.C. Tiffany Favrile," along with "4028K," circa 1916. 14" W.
Mirror plateau made by the Wilcox Silver Plate Co., a division of the International Silver Co. Unusual example in the workshop's Paisley pattern has an Art- Deco-era blue mirror. The frame has delicate florals and baskets in relief all supported by four bun feet. Circa 1920's. 15 1/4" W., 1 3/4" H.
Lovely WMF (Wurttembergische Metallwarenfabrik) reticulated jardiniere or basket with high Art Nouveau whiplash florals and vines. A central Art Nouveau maiden medallion is upon two sides. Original undulating blue cut-crystal liner. Germany circa 1900. Illustrated in the workshop's well-known 1906 catalogue, page 230. 4 3/4" H., 4 5/8" W., 3 3/4" D.
Ikora Kristall vase made by WMF (Wurttembergische Metallwarenfabrik) under the direction of Karl Wiedmann in Germany circa 1939. Widely flaring trumpet form internally decorated in brilliant red at the rim. Bulbous bottom in deep teal green with radiating bubbles against a red background. The form is pictured on page 152 in "WMF Ikora and Myra Glaser Glass." 4 1/8" W., 3 7/8" H.